Ebury to publish irresistible Turkish-Cypriot cookbook, MELIZ'S KITCHEN

Ebury Press will publish Meliz’s Kitchen: Simple Turkish-Cypriot comfort food and fresh family feasts, the first book by food writer and content creator Meliz Berg, on 30th June 2022. Editor Laura Higginson acquired world all language rights from Juliet Pickering.

Meliz’s Kitchen is a celebration of the melting-pot of delicious spices and fresh flavours that make a Turkish-Cypriot Kitchen.

Meliz Berg is a self-taught cook and recipe developer. Inspired by her Turkish-Cypriot heritage, and experience of growing up in a household that combined both traditional Cypriot and London living, she created the blog and Instagram page Meliz Cooks.

Meliz has since built a loyal following who return to her again and again for flavourful, comforting dishes. In her first book, Meliz’s Kitchen she celebrates the food that influenced her as a child and shares new easy go-to meals for busy family life, as well as exclusive twists on her blog favourites, all combined in nine chapters of nourishing cooking: Kahvalti (breakfast), Meze & Salata (dishes and salads to share), Ocak& Kizartma (traditional stove-top dishes), Firin (hearty dishes from the oven), Yahni (easy one-pots and slow-cooking), Kebab & Kofte (barbecue dishes and accompaniments), Ekmek & Hamur Isi (breads, doughs, and pastries) and Kek ve Tatlilar (crowd-pleasing sweets).

Ebury says: ‘Meliz’s recipes are pure sunshine on a plate. Packed with simple vibrant meals and comforting dishes, this is a joyful collection of mouth-watering food and wonderful writing that will show people how easy it can be to bring big Turkish-Cypriot flavours to the kitchen every day.’

Meliz says: ‘I have dreamt about writing this cookbook for so long. I always wanted it to feel like a storybook of recipes that tie together my colourful Turkish-Cypriot heritage and family history through food. There are beautiful traditional dishes I regularly make at home and have learnt so much about from cooking with my mum, as well as new ones that utilise the familiar flavours and ingredients Cypriot cuisine is recognised for, but have been adapted to suit current, busy lifestyles. Ebury gave me the autonomy to stay true to myself and my food writing, as well as the opportunity to authentically capture the recipes through my own photography. I’m so proud to finally say that I have written a compendium of stories and recipes from my kitchen, Meliz’s Kitchen.’

Sally Andrew's RECIPES FOR LOVE AND MURDER at Berlinale 2022

RECIPES FOR LOVE AND MURDER, the Television adaptation of the first in Sally Andrew’s Tannie Maria mystery books, premiered yesterday at the Berlinale Film Festival.

Meet Tannie Maria: the loveable writer of recipes in her local paper, the Klein Karoo Gazette.

One Sunday morning, as Maria stirs apricot jam, she hears her editor Harriet on the stoep. What Maria doesn't realise is that Harriet is about to deliver a whole basketful of challenges and the first ingredient in two new recipes - recipes for love and murder.

Filmed in South Africa and Scotland, the series is a co-production between M-Net, AMC Networks’ Acorn TV, and Both Worlds Pictures, in co-operation with Global Screen. Thierry Cassuto, who founded the International Emmy-nominated Cape Town-based Both Worlds Pictures, is producing the series in collaboration with Scotland’s Pirate Productions, with development support provided by Creative Scotland, and Paris-based Paradoxal.

The show was adapted for TV by Karen Jeynes, who is also executive producer, along with Scotland-based writer-director Annie Griffin. The series is directed by Christiaan Olwagen and Karen Jeynes, and stars Maria Doyle Kennedy, whose credits include OUTLANDER and THE TUDORS, alongside Tony Kgoroge (INVICTUS), and newcomer Kylie Fisher.

Thierry Cassuto said: “I read the novel and I just couldn’t put it down, because there was something so endearing to it. There was something sweet, nice, gentle, and a voice – Tannie Maria’s voice – which I really liked in the novel. I told [Andrew’s agent, Julian Friedmann, of Blake Friedmann Literary Agency in London], “Listen, I think we can do something with this. Can we get an option on it?” And he told me, “Yes, but I’m only going to give you an option if you can do this on an international scale with international quality. I don’t want this to become a purely local South African series.” And I told him that was my intention. I wanted to engineer a production that can stand out not only on the international marketplace, but at international festivals [and in terms of] creativity, too.”

Read more here

BFLA Best of 2021

At Blake Friedmann we’re proud that so many of our authors and their books were included in ‘Best of 2021’ selections. To celebrate these achievements, we have compiled the following summary of the lists they were featured in, along with the praise that accompanied their selection.

THE HIERARCHIES by Ros Anderson

‘The overall winner, our undisputed Book of the Year, goes to THE HIERARCHIES. This book spread through the store like contraband on the playground, pressed into the hands of one bookseller after another. A dystopian, feminist masterpiece that everyone should read.’ – Waterstones Brighton, ‘Book of the Year’

THE YOUNG TEAM by Graeme Armstrong

One of Foyles’ Paperbacks of the Year

One of Waterstones’ Paperbacks of the Year

LOVE IN COLOUR by Bolu Babalola

One of Foyles’ Paperbacks of the Year

One of Waterstones’ Paperbacks of the Year

‘This multifaceted, multitalented Nigerian-British writer – humorist, television creator and now bestselling author – searched the globe to find a radically diverse group of stories about love, from magical folk tales of West Africa to iconic Greek myths and ancient legends from the Middle East. Then, with an evocative and vivid style, she brought new life to old tales and wrote three original stories of her own. The result is a remarkable modern collection of 13 short stories about love.’ – Carole V. Bell, NPR, ‘Best Romance Books 2021’

CASE STUDY by Graeme Macrae Burnet

One of Nicola Sturgeon’s Favourite Books of 2021

‘Beautifully balanced between harrowing and humorous, CASE STUDY follows a woman who seeks out a captivating psychotherapist whom she believes to be responsible for her sister’s suicide.’ – Waterstones, ‘The Best Books of 2021’

‘Graeme Macrae Burnet’s CASE STUDY is a novel about a 1960s psychologist where the blurring between fact and fiction constantly wrong-foots its readers while still keeping us lavishly entertained.’ – James Walton, The Spectator, ‘Books of the Year’

‘Graeme Macrae Burnet is a master of the false but apparently authentic document… This is a novel, which like Macrae burnet’s previous ones, holds the attention, develops an insidious narrative interest, and poses questions about the nature of the self and the authenticity of identity. There is comedy here too. Indeed, depending on the angle of the view, Braithwaite is a comic character, if also a disturbing one. Certainly in his depiction of him, Macrae Burnet catches the self-satisfied idiocy of one strand of 1960s culture. Indeed, he is done so well and seems so authentic in his inauthenticity that you might be surprised to find no mention of him in the index of John Clay’s admirable biography of Ronnie Laing. For the most part, though Macrae Burnet finds different voices for the writer of the notebooks and the unnamed author of the biographical Braithwaite chapters, his style is plain, lucid, very readable and rich in irony. There are fine comic passages… But it is the appalling and yet ultimately rather pathetic Braithwaite who gives the book its momentum, and is through him that the tone and temper of the times are captured. As in his other novels, Macrae Burnet writes with an admirable lucidity, at the same time being able to probe and shed light on the dark places of the mind. Writing in a prose that is spare, deadpan and yet alive, he poses questions about the nature and perception of what we choose to call reality. He is an uncommonly interesting and satisfying novelist.’ – The Scotsman, ‘Scottish Books 2021’

THE BERESFORD by Will Carver

One of LoveReading’s Books of the Year 2021

‘In THE BERESFORD by Will Carver a maze-like boarding-house becomes a scene of carnage as the tenants are dispatched in grisly fashion one by one. What is going on and who can bring an end to the bloodshed? Carver writes in the tradition of the Theatre of the Absurd, but with added grue. Shocking, compulsive and persuasive. It’s one hell of a ride for those of a mind to jump aboard.’ – Ian Rankin, The New Statesman, ‘Books of the Year’

‘The Theatre of the Absurd gets dunked in gore as the residents of a creepy boarding house take part in a never-ending killing spree’ – Ian Rankin, ’Ian’s End of Year Round-up: 2021

‘The strangest and creepiest novel I read all year. A boarding house becomes a scene of carnage as residents start bumping each other off. What compels them and how can the chain be severed? This is the theatre of the absurd with added grue, and while Carver’s unique and twisted talent won’t be to all tastes I found this persuasive and compulsive.’ – Ian Rankin, Daily Express, ‘Best Books of 2021’

THE LAST THING TO BURN by Will Dean

One of Deadly Pleasures Staff Best of 2021

Winner of the 2021 Rick O’Shea Book Club International Book of the Year Category

A ‘Hot Press Books of 2021’ honourable mention

‘For pleasure reading, I want warmth and pace and narrative and a steady hand, not sentences that have their eyes on prizes. Will Dean, a man with impossibly luxurious hair who lives in a Swedish forest, is known for his Tuva Moodyson crime fiction series. Tuva, a deaf journalist, is a great character but her adventures can get repetitive. There is nothing repetitive about THE LAST THING TO BURN, an astonishing standalone from Dean, in which a young Vietnamese woman lives an appallingly coerced life with a brute called Lenn. Dean gets the voices chillingly right, the tension rises as inevitably as the claustrophobic pressure draws in, and “Jane” is a woman who you want to triumph at whatever cost. This novel will make your skin crawl with fury at the insidious violence of men.’ – Rose George, The New Statesman, ‘Books of the Year’

‘The crime novel that made my heart race fastest was THE LAST THING TO BURN by Will Dean, a timely and unforgettable locked-door mystery.’ – Anne Cater, Daily Express, ‘Books of the Year’

‘THE LAST THING TO BURN – Will Dean’s first stand-alone novel – is an extremely tense read. It centres on a Vietnamese woman held against her will in a remote farmhouse in the East Midlands. She endures her captivity, day-in-day-out, until two things happen that force her to fight back. This is absolutely a story of survival in its most basic form, but more than that it’s about the immense power of the human spirit – how it can be bashed and broken and still persevere. Dean doesn’t just build suspense – he cloaks his story in it, creating a crushing, claustrophobic atmosphere that feels as if it will never end. But the story does contain unexpected and heartening moments of light that remind readers of the power of humanity and compassion. These are the things that linger when the book comes to a close – and still linger all these months later too.’ – Natalie Xenos, Culturefly, ‘The Best Books of 2021’

‘This is the harrowing story of a young Vietnamese woman trafficked into the UK and kept for years as a slave by a psychopathic farmer in the middle of absolutely nowhere. She thinks she's protecting her sister by remaining compliant but when she discovers that she’s been lied to, she attempts to escape with a baby and a broken foot. It’s short, brilliant and gut-achingly tense.’ – Sunday Times bestselling author Lisa Jewell, Amazon Book Review, ‘Lisa Jewell’s Favourite Reads of 2021’

‘THE LAST THING TO BURN works because Will Dean takes a very risky chance with the narrative – the reader spends the entire novel in Jane’s mind, seeing everything from her perspective. Many writers explore points-of-view tactics from a different gender and while making that feel authentic is often challenging, skilled authors make this look easy. In THE LAST THING TO BURN, however, Will Dean goes one step further, embodying the soul and mind of Jane in a way that is not often witnessed – even in cases where authors are writing POVs that match their gender. Not only does Dean do this himself, but he brings the reader along with him to such a level that Jane/Reader almost merge and it becomes like our very safety is at risk.’ – Kristopher Zgorski, BOLO Books, ‘Top Reads of 2021’

THE ENGLISHMAN by David Gilman

One of LoveReading’s Books of the Year 2021

Peter James

One of Bookscan’s Top Ten Fiction Authors for 2021 (number 9, with LEFT YOU DEAD as top-selling title)

SWIMMING IN THE DARK by Tomasz Jedrowski

One of Foyles’ Paperbacks of the Year

ARE WE HAVING FUN YET? by Lucy Mangan

One of LoveReading’s Books of the Year 2021

‘An uncannily accurate portrayal of the whirlwind of modern family life, Mangan's side-splitting novel introduces Liz and her weird and wonderful brood as she attempts to make it through the year without losing it completely.’ – Waterstones, ‘The Best Books of 2021’

WAYFARERS’ HYMNS by Zakes Mda

‘In Mda’s 31st book, a boy’s desire to become a great famo musician leads him all the way from the Lesotho mountain region to Johannesburg where he comes up against a sordid underworld of crime and gangs.’ – Brittle Paper, ’50 Notable African Books of 2021’

THE DARK FLOOD by Deon Meyer

‘THE DARK FLOOD, the new Benny Griessel thriller from Deon Meyer – need we say more?’ – Daily Maverick, ‘Essential Books of 2021’

WHEN THEY FIND HER by Lia Middleton

One of Apple Books’ Bestselling Audiobooks of 2021

‘I would also like to shout-out my favourite domestic thriller of the year, WHEN THEY FIND HER by Lia Middleton. Totally unputdownable, it’s the sign of a brilliant author when they can build such empathy with a character making a terrible decision within the first few pages and yet keep the reader glued right until the very end as the rest of the twisting plot unfolds.’ – Amy McCulloch, Dead Good Books, ‘Best Crime Novels of 2021’

THREE WEDDINGS AND A PROPOSAL by Sheila O’Flanagan

‘Putting a spin on wedding stories, each wedding of a glorious summer brings a new surprise for Delphie, who has the chance to reshape her future.’ – Denise O’Donoghue, Irish Examiner, ‘Best of the Year Lists’ 

THE APRIL DEAD by Alan Parks

One of Deadly Pleasures Staff Best of 2021

‘Alan Parks, like the best writers, makes you keenly aware of all the pain out there and then (almost) alleviates it.’ – Mark Sanderson, The Times, ’16 Best Crime Books 2021’

SHIVER by Allie Reynolds

One of Deadly Pleasures Staff Best of 2021

One of Foyles’ Paperbacks of the Year   

‘Buckle up – this chilling new thriller from professional snowboarder-turned-author Allie Reynolds will have you feeling like you’re hurtling down a black run from page one… for page-turning power, this mystery had us gripped.’ – Woman and Home, ‘2021 Book Awards’

‘I’ve never been snowboarding in my life and have never been tempted to try it. But I love books that give insights into passions I don’t share, and give a feel for how and why they’re so alluring. This is about a group of competitive snowboarders and is a combination of flashbacks—to when they were all competing, ten years ago—and the present, when they attend a reunion and get stuck up a mountain. The book gives a real feel for what it’s like to be in a resort in the French Alps: the drinking, the snow, the lifts, the camaraderie. I was not surprised, after finishing the book, to find out the author, Allie Reynolds, was once a top UK freestyle snowboarder who spent five winters in the mountains of France, Switzerland, Austria and Canada. All in all, it’s a classic Agatha Christie-style locked-room mystery combined with very vivid accounts of being in the mountains and risking life and limb going down the halfpipe.’ – Sophie Roell, Five Books, ‘The Best Crime Fiction of 2021’

THE MERMAID OF BLACK CONCH By Monique Roffey

 One of Bookshop.org’s ‘The Bookshop 100: Indie Champions 2021’

One of Foyles’ Paperbacks of the Year

One of Waterstones’ Paperbacks of the Year

Costa Book of the Year Win for THE KIDS by Hannah Lowe

Photograph: Jeff Spicer (Getty Images)

Hannah Lowe has won the Costa Book of the Year with her collection, THE KIDS, published by Bloodaxe Books. The Costa Book of the Year is chosen from the winners of the individual Costa Award categories, and Hannah was announced as winner at an in-person ceremony in London last night.

 Chair of Judges, Reeta Chakrabarti, said THE KIDS is ‘a book to fall in love with’, ‘joyous, warm and completely universal.’ She went on to say ‘We were looking for the most enjoyable book, the most accessible book, the book that you would most want to pass on to other people. And the winner was, for all of us, fresh and immediate, it spoke very directly to everybody. It has a universality to it – in a simple way, because everybody’s been to school.’

 Reporting on the win, BBC Arts Correspondent Rebecca Jones described THE KIDS as ‘thoroughly modern… engaging and entertaining too… [The sonnets] offer a particularly fascinating glimpse into Lowe's experience teaching English at an inner-city London sixth form in the 2000s… The sonnet, with its 14 lines and strict rhyme scheme, dates back centuries. But in this collection, Hannah Lowe has taken it to unexpected places – with richly rewarding results.’

 Lowe took home the Costa Poetry Award earlier this year, and her collection garnered high praise from the Costa Poetry Award judges, Rishi Dastidar, Ian Duhig and Maya Jaggi, who said: ‘THE KIDS is the real deal. A page turner about the experience of teaching and being taught, it made us want to punch the air with joy... A contemporary book that buzzes with life while re-energising the sonnet that Shakespeare would recognise. All readers will find something of themselves here.'

 THE KIDS was also shortlisted for the 2021 T.S. Eliot Prize, was a Poetry Book Society Choice for Autumn 2021 and an Irish Times and Guardian poetry book of the year. It was widely acclaimed – see some of the praise below.

 THE KIDS is a collection of compassionate and energetic sonnets, fictionalised portraits of the students Hannah nurtured in her decade as a teacher in inner-city London. But the poems go further, meeting her own child self as she comes of age in the riotous 80s and 90s, later bearing witness to her small son learning to negotiate contemporary London. Across these deeply felt poems, Lowe interrogates the acts of teaching and learning with empathy and humour. Social class, gender and race – and their fundamental intersection with education – are investigated with an ever-critical and introspective eye. These boisterous and musical poems explore what it is to be taught, to learn and to teach.

 

About Hannah Lowe

Hannah Lowe was born in Ilford to an English mother and Jamaican-Chinese father. Her first book-length collection CHICK (Bloodaxe, 2013) won the 2015 Michael Murphy Memorial Prize and was selected for the Poetry Book Society’s Next Generation Poets 2014 promotion. Her second full-length collection, CHAN, was published by Bloodaxe in 2016, followed by a pamphlet, THE NEIGHBOURHOOD (Out-Spoken Press) in 2019. Her prose memoir, LONG TIME NO SEE, exploring her relationship with her half-Chinese, half-Jamaican immigrant father, was published by Periscope in 2014.

Visit Hannah’s website and follow her on Twitter and Instagram

 

Praise for THE KIDS

 ‘These sequences of stories are a refreshing update to THE PRIME OF MISS JEAN BRODIE and TO SIR WITH LOVE. Each of Lowe’s sonnets is a blackboard chalked with the tales of earnest teachers, of cheeky and lovable students, of being mentored to become a poet and of motherhood and learning to instruct again. Lowe makes the sonnet exciting for our age through its urgent, its compassionate, its wonderfully humorous address of the personal and the social.’ – Daljit Nagra

 ‘A gorgeous, technically impressive, emotional, generous journey she took us on!! Quite how she condenses so much of living, and loving, and Britain, and class and race and single life and childhood and teenhood and heartbreak and parenthood in this slim thing is beyond me. Just one of those books that you can give to a 12-year-old and an 82-year-old and say: here is life, captured briefly, truly, on the page… She is so easy with the form, you don’t even notice how technically brilliant they are. They are so human and generous and clever... Buy it, borrow it, but however you lay your hands, a read of this collection is worth your time and heart.’ – Jessie Burton, Instagram

 ‘An introspective book of modern sonnets… This is a playful yet moving collection that will make the reader frown and laugh, sometimes both at once.’ – Mary Jean Chan, The Guardian, ‘The Best Recent Poetry’

 ‘Hannah Lowe's THE KIDS, inspired by her time teaching in an inner London sixth form, is a series of sonnets full of joy. The book is generous in its compassion, and in love with the idea of learning, in the classroom and outside it.’ – Rishi Dastidar, The Guardian, ‘Best poetry books of 2021’

 ‘Hannah Lowe's brilliant and entertaining book of sonnets, THE KIDS, is one of the most humorous and tender collections of recent times.’ – Sean Hewitt, The Irish Times, ‘Best poetry of 2021’

 ‘At the heart of this book of compassionate and energetic sonnets is her students. But the poems go further, meeting her own child self in the riotous 80s and her small son growing up in contemporary London. These are deeply felt poems interrogating the acts of teaching and learning, class, gender and race with empathy and humour. Boisterous and musical, these poems explore and explode the universal experience of what it is to be taught, and to teach, and reach out to the child within us all.’ – Poetry Book Society

 ‘While THE KIDS doesn’t shy away from asking tough questions about education, it shows real fondness for the kids themselves and their uplifting thirst for learning.’ – Hayley Jarvis, Brunel University

 ‘Always, we are in the hands of Lowe's singular, effortless voice, and reminded that all good education should be an education in class, in the legacies and histories of empire and in the self.’ – Andrew McMillan, Poetry Book Society Bulletin

 ‘The poems in THE KIDS fizz and chat with all the vitality and longing of the classes they conjure. Funny, moving, sometimes painful and always questioning, they capture teachers and their students learning life from each other in profound and unexpected ways. A joy to read.’ – Liz Berry

 ‘This book reads very much like a labour of love. Anyone who commits to writing, and asks the reader to commit to reading, 66 sonnets has got to have plenty to say. These poems never flinch and the best of them… leave us caring for the kids as much as she does.’ – Carl Tomlinson, Poetry News, ‘Best poetry books of the year 2021’

 'Lowe’s social conscience, grounded register and frank humanity recall Tony Harrison...’ – Tristram Fane Saunders, The Telegraph

 'THE KIDS asks awkward questions about institutionalized education, but retains an unshakable faith in the kids and the joy they derive from learning and from their world and, because of this, it imagines a bright future.’ – John Field

‘Hannah Lowe’s third full-length collection THE KIDS is a book of loose, light-touch sonnets about growing up and growing old, parents and children, teaching and learning.’ – Andy Croft, Morning Star

 ‘Lowe’s skill at working with traditional forms has been strongly in evidence from her debut collection CHICK onwards. She has an easy, conversational take on the iambic pentameter line, and is skilled at finding both full and slant rhymes that don’t come across as forced. This results in poems that feel contemporary, yet still have a sense of the language being heightened into song.’ – Alan Buckley, The Friday Poem

 ‘CHICK was a hard act to follow. In this painfully aware, complex and very dynamic collection, Hannah Lowe has more than succeeded. Anyone entering teaching would do well to read it. As would everyone else.’ – Beth McDonough, Dundee University Review of the Arts

A RATION BOOK CHRISTMAS BROADCAST MAKES RNA SHORTLIST

We’re so pleased that Jean Fullerton’s Christmas novella, A RATION BOOK CHRISTMAS BROADCAST, has been shortlisted for the Shorter Romantic Novel in the 2022 Romantic Novel Awards.

Launched in 2015, the Romantic Novel Awards celebrate excellence in romantic fiction and this year’s winners will be announced at an awards ceremony on the 7th of March at the Leonardo Royal Hotel London City.

A RATION BOOK CHRISTMAS BROADCAST was published in the UK in November 2021 and features the large, rambunctious Brogan family from Jean’s ‘East End Ration Book’ series.  

Grace Meredith, the BBC Outside Broadcasting unit’s assistant, is thrust into the Brogan’s warm and bustling world when they are chosen to be interviewed on the ‘Just Ordinary Folk’ Christmas programme. Things don’t quite go to plan, however, when she meets Giovanni Fabrino of the Royal Engineers. With the Christmas Eve deadline fast approaching she doesn’t have time for distractions, but Gio keeps appearing, and they start to fall in love…

The last book in the ‘East End Ration Book’ series, A RATION BOOK VICTORY, will be published by Corvus in May this year.

Praise for Jean’s ‘East End Ration Book’ series:

‘A real page-turner with larger-than-life characters and convincing period detail’ ― Daily Express

‘Richly-textured and engrossing...  Jean Fullerton's meticulous research and background knowledge enable her to create a wholly convincing and engaging wartime novel... Completely immersive. With humour to lighten the mood as well it can be laugh-out-loud funny as well as deeply poignant, but it is the emotional richness and heart to the book that draws the story together and makes this such a rewarding read.’ ― Nicola Cornick

‘Lovely... The author's writing captures the atmosphere and emotions and difficulties of life during wartime. It is a great piece of historical fiction which centres on World War II... The book was an emotional read with a few tears along the way.’ ― New Books Magazine

‘Charming and full of detail... You will ride emotional highs and lows... Beautifully written.’ ― The Lady

About Jean Fullerton

Jean was born and bred in the overcrowded streets surrounding London Docks where her family have lived since 1825. Being born within the sound of Bow Bells, she’s a true cockney who grew up in what was then the working-class dockland community in Wapping and Stepney, East London. All her published books are set in the streets and alleyways she roamed as a child.

Jean worked for 30 years as a community nurse in East London, starting as a staff nurse and finishing as a university lecturer in Health Studies at London South Bank University.

Visit Jean’s website.

Follow Jean on Facebook, Instagram and Twitter.