Romalyn Ante, Janice Galloway and Kaite O’Reilly made Royal Society of Literature Fellows

We are delighted that three Blake Friedmann authors, Romalyn Ante, Janice Galloway and Kaite O’Reilly, have been elected fellows of the Royal Society of Literature.

The election took place at the RSL’s annual summer party on 12 July, where the new Fellows signed their names in the RSL Roll Book, which dates back to 1825.

Founded in 1820, the Royal Society of Literature is a charity which represents the voice of literature in the UK. To be nominated as a fellow, a writer must have published or produced two works of outstanding literary merit, and nominations must be made by two fellows or honorary fellows. This was the second and final year of the RSL Open initiative, which has seen 60 new writers from backgrounds underrepresented in UK literary culture elected to Fellowship. Readers and writers from across the UK recommended writers for nomination, who were then considered by a panel. This year the panel consisted of Monica Ali, Nick Laird, Sabrina Mahfouz, Charlotte Mendelson, Daljit Nagra, Irenosen Okojie and Chibundu Onuzo, and was chaired by Damian Barr.

Damian Barr said of the new Fellows: ‘This is a list of powerful talents and pioneering trailblazers; gifted writers of all genres who lit the way and who continue to inspire us in darker times. Their recognition is richly deserved and, for some, long overdue. The Royal Society of Literature is all the richer for these new Fellows, just as the world is for their words.’

About Romalyn Ante

Photo: S Chadawong

Romalyn Ante was born and lived in the Philippines until she migrated to the UK when she was 16 years old. She is now based in Wolverhampton. Romalyn is a poet and works as a specialist nurse practitioner. She is a co-founding editor of harana poetry, and the first East-Asian to win the Poetry London Prize (2018) and the Manchester Poetry Prize (2017). She also won the Creative Future Literary Award 2017. 

Romalyn’s debut poetry collection, ANTIEMETIC FOR HOMESICKNESS, was published by Chatto & Windus and was an Irish Times Best Poetry Book of 2020, an Observer Poetry Book of the Month and a Poetry School Poetry Book of the Year 2020. It was also a National Poetry Day UK Recommended Read and is longlisted for the Jhalak Prize and the Dylan Thomas Prize.

See Romalyn’s website here

Follow Romalyn on Twitter here

About Janice Galloway

Janice Galloway was born in Ayrshire in 1955. Her first novel, THE TRICK IS TO KEEP BREATHING (Vintage), now widely regarded as a contemporary Scottish classic, was published in 1990. It was shortlisted for the Whitbread First Novel, Scottish First Book, Italia Premio Acerbi and Aer Lingus Awards, and won the MIND/Allen Lane Book of the Year. Her second novel was FOREIGN PARTS (Vintage, 1995), which won Te McVitie's Prize. CLARA (Vintage), a fictionalised account of the life of Clara Schumann, was published in 2003 and won the Saltire Book of the Year.

Janice is also the author of two works of ‘anti-memoir’: THIS IS NOT ABOUT ME (Granta, 2010), was shortlisted for The Biographer's Club First Book and won Scottish non-fiction Book of the Year; ALL MADE UP (Granta, 2011) won the SMIT Book of the Year and a Creative Scotland Award. Her latest book, JELLYFISH (Granta, 2019), is a short story collection exploring sex and sexuality, parenthood, relationships, the connections between generations, death, ambition and loss.

Visit Janice's website

About Kaite O’Reilly

Photo: Hayley Madden

Kaite O' Reilly is an award-winning playwright and poet (Peggy Ramsay Award, Manchester Evening News Best Play of 2004, International Susan Smith Blackburn Award 2009, Ted Hughes Award for New Works in Poetry 2011), a recipient of two Unlimited Commissions, part of the Cultural Olympiad for the London Olympics (for IN WATER I'M WEIGHTLESS and LEANER, FASTER, STRONGER) and a Fellow of International Research Centre ‘Interweaving Performance Cultures’, Freie Universität, Berlin.

Visit Kaite's website here

Click here to read about Kaite's scriptwriting

KAITE O’REILLY’S ‘richard iii redux’ TAKES TO THE STAGE IN MADRID

Sara Beer in ‘richard iii redux’. Image credit: Artezblai

Kaite O’Reilly and Phillip Zarrilli’s play ‘richardiii redux, or Sara Beer [is/not] richard iii’ – nominated for the 2018 James Tait Black Prize for Drama – has just finished its first international run, at the Teatro de la Comedia in Madrid.

The play, reflecting on Shakespeare’s representation of disability in his acclaimed historical tragedy, stars Sara Beer as the iconic machiavel. According to Kaite, ‘our piece interrogates, satirises and subverts Shakespeare's attitude towards physical difference through a parallel contemporary story: a bogus autobiography of performer Sara Beer, who had the same form of scoliosis. Through irreverent references, we break down the construction of the “twisted body, twisted mind” stereotype of Richard III as evil incarnate – and we do it with laughter and moments of playfulness and absurdity.’

Praise for ‘richard iii redux’:

‘richard iii redux or Sara Beer [is/not] richard iii is a bold, informative, occasionally traumatic, and irreverently amusing 70 minutes of theatre.’ – Othniel Smith, British Theatre Guide

‘Richard III Redux is an insightful piece of disability art, mixing demonstrably excellent work by disabled people with biting social comment. More than this, it lets us into a new Richard, one free of disabling barriers. But rather than talking about it, my best advice is go and see it. You won’t regret it.’ – Chris Tally Evans, Disability Arts Online

‘Sara Beer and Kaite O’Reilly’s approach to Richard III is certainly unique… It is a brave piece, and one that demonstrates how Shakespeare’s work can be actualised without being fit into a mold it doesn’t belong in. All in all, the show managed to give a layered interpretation of an iconic character by approaching it from an angle that, while often visited in the past, has never been entirely in the spotlight. It is an excellent, immersive experience that is sure to leave its audience thinking well after its conclusion.’ – Chiara Strazzulla, Arts Scene in Wales

Kaite O’Reilly’s PRIDE AND PROTEST on BBC Radio 4’s Drama of the Week

Kaite O’Reilly’s PRIDE AND PROTEST – a powerful examination of disability rights, anger, friendship, and womanhood – was BBC Radio 4’s Drama of the Week (13th May 2022).

Julie McNamara recording PRIDE AND PROTEST. Image credit: Kaite O’Reilly (@kaiteoreilly) on Twitter

Featuring disability actors Sara Beer, Mared Jarman, and Julie McNamara, Kaite’s play tells the story of Seren, a once fierce activist, who is nostalgic for the old campaigns and frontline high jinks. She can’t get over her daughter’s anxiety and apathy about climate change, but is slow to understand the impact of her disability activism on her daughter’s childhood.

PRIDE AND PROTEST is now available on BBC Sounds to stream and download for free.

Praise for PRIDE AND PROTEST:

‘Kaite O’Reilly’s play is a thoughtful, often shaming treatise on the predicament of those disquieted by injustice: to what extent can or should someone dedicate their life to a cause?’ – Jack Seale, The Guardian

‘Although these insights into contemporary disabled life are horrific, O’Reilly carries them with a lightness of touch… Harnessing hope and rage in equal measure, Pride and Protest examines the complex issues of identity politics, disability rights, and queer relationships with a playfulness that can’t help but charm the listener.’ – Natasha Sutton Williams, Disability Arts Online

About Kaite O’Reilly

Kaite is a multi-award winning playwright and radio dramatist.

She has won many awards for her work, including the Peggy Ramsay Award, Manchester Theatre Awards best play of the year, Theatre-Wales Award and the Ted Hughes Award for new works in Poetry for PERSIANS for National Theatre Wales. Widely published and produced, she works internationally.

Her plays are collected in the critically acclaimed ATYPICAL PLAYS FOR ATYPICAL ACTORS, published by Oberon, with the forthcoming THE ‘D’ MONOLOGUES about disability, difference and diversity published to coincide with the UK Autumn tour.

She has written extensively for radio, and she wrote and directed ‘Mouth’, a Screen Gem, back in 2000. Her first screenplay THE ALMOND AND THE SEAHORSE, co-written with Celyn Jones, was produced as a feature film in 2021 starring Rebel Wilson.

A veteran of the disabled peoples’ movement, she received two Cultural Olympiad Commissions for IN WATER I’M WEIGHTLESS, part of the official Olympiad Festival during the 2012 London Paralympics/Olympics. A leading figure in the UK’s disability arts and culture, she is patron of Disability Arts Cymru and DaDaFest.

Principal Photography Begins on Feature Adaptation of Kaite O'Reilly's ALMOND AND THE SEAHORSE

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Principal photography has begun on THE ALMOND AND THE SEAHORSE, the film adaptation of Kaite O’Reilly’s stage play.

What happens when you're ambushed by time? An archaeologist and an architect fight to re-imagine a future after traumatic brain injury leaves them adrift from the people they love.

THE ALMOND AND THE SEAHORSE will star Rebel Wilson and Charlotte Gainsbourg, and the directors are Celyn Jones and Tom Stern.

The film is produced by Mad As Birds, headed up by Andy Evans and Sean Marley with Alex Ashworth, and filming is taking place in Liverpool and North Wales.

THE ALMOND AND THE SEAHORSE was debuted in 2008 as a stage play, at Sherman Cymru Theatre, Cardiff, to stellar reviews. The playtext was published by Sherman Cymru.

Praise for THE ALMOND AND THE SEAHORSE:

"Unmissable drama ... Throughout Kaite O’Reilly’s tremendous new play ... extraordinary scenarios are tenderly drawn and powerfully realised in Phillip Zarrilli's beautifully judged production." 5 stars ***** (The Guardian, 2008)

“This is a powerful drama, beautifully written…Compelling and emotionally charged ... Bold and effecting ...” (British Theatre Guide, 2008)


“Kaite O’Reilly’s powerful new play ... Superb ... impressively researched ... [with] graveyard humour, poetic flights of fancy ...” (The Stage, 2008)

“Dense and multi-layered, ...Like…[Rothko or Satie]… Kaite O’Reilly has complete mastery over a territory that is distinctively her own…. What marks out Kaite O’Reilly’s writing is the skill with which she sets up deep echoes and resonances so that her play vaults beyond its subject...” (Theatre Wales, 2008)

“... this intelligent work ... flashes of brilliance. A fascinating work, totally engaging ...” (Western Mail, 2008)