ISOBEL DIXON ELECTED PRESIDENT OF THE ASSOCIATION OF AUTHORS’ AGENTS

Credit: Jack Ladenburg

At the recent AGM of the Association of Authors’ Agents, then Vice President Isobel Dixon of the Blake Friedmann Literary Agency stepped up to President, praising outgoing President Lizzy Kremer of David Higham Associates for her ‘amazing two years’, as a ‘vigorous, rigorous and generous’ President to the Association.

'It's been a great pleasure to work with Lizzy Kremer over these last four years,’ Isobel said, ‘and to see the growing and dynamic engagement from our Association's member agencies. Catherine Clarke was also on the AAA committee when I first joined and it's brilliant to have such an insightful and experienced colleague back as Vice President, along with our energetic committee. We have a great deal to do on industry best practice and all areas of authors' rights, as well as key issues around copyright, literacy and inclusivity, and I look forward to the engagement and campaigning ahead. It’s an honour to serve in this way, and particularly meaningful to me personally that Blake Friedmann’s co-founder, Carole Blake, was also once President of the AAA.’

Catherine Clarke of Felicity Bryan Associates, who served on the committee previously, returns as Vice President. Other current members of the committee are Lucy Luck of C+W (Treasurer), Charlotte Seymour of Andrew Nurnberg Associates (Secretary), Meg Davis of Ki Agency, Camilla Ferrier of The Marsh Agency and Molly Ker Hawn of The Bent Agency.

Camilla Ferrier has also chaired the Foreign Rights sub-committee and is now stepping down, with Lisa Baker of Aitken Alexander stepping into the role.

Isobel Dixon is Managing Director and Head of Books at the Blake Friedmann Literary Agency, where she represents bestselling and prizewinning writers from around the world. Her clients' work includes contemporary, historical and literary fiction, crime and thrillers, memoir, biography and narrative history. She is a Trustee of the National Centre for Writing in Norwich and on the Board of BTBS The Book Trade Charity. As poet, her most recent collection, Bearings, is published by Nine Arches, who will also bring out The Landing in 2021.

Catherine Clarke was Publishing Director of the Trade Books Department at Oxford University Press for several years before she joined Felicity Bryan as an agent in 2001. She represents a broad range of writers of serious non-fiction, including history, nature writing, biography, and philosophy. She also represents a number of bestselling and prizewinning writers for children and young adults. She became Managing Director of Felicity Bryan Associates in 2010. In 2017 she was named Literary Agent of the Year at the British Book Awards.

See more about Isobel here.

See more about the Association of Authors’ Agents here.

Kirsty Bashforth’s CULTURE SHIFT shortlisted for a Business Book Award

Kirsty Bashforth’s CULTURE SHIFT has been shortlisted for a Business Book Award, in the category of Sustainable Change. The Business Book Awards aim to highlight leadership, change and sustainability in business, promoting authors who share their industry knowledge, experience and expertise. CULTURE SHIFT, which was described by Iain Conn (CEO of Centrica) as “straight talking, realistic and refreshingly honest”, was published by Bloomsbury in 2019. An audio edition narrated by the author has also been published by WF Howes.

In CULTURE SHIFT, Bashforth uses her extensive experience to outline exactly what it takes to oversee sustainable culture change in an organization, drawing on case studies such as IBM, Uber, VW and John Lewis.

Her book explores how to communicate cultural expectations to a number of stakeholders; implement new, lasting habits in the workforce; effectively measure and track organizational culture; as well as deal with push-back from senior leadership when, as time passes, the planned culture shift risks falling lower on their agenda.

Founded on behavioural economics, CULTURE SHIFT recognises that people do not always make average assumptions or follow rational logic. Changing a culture, therefore, is not about telling people what to do and expecting them to fall neatly in line - it's about identifying where they are now and how they make decisions, in order to help them form new habits to create a sustainable culture shift, from the very top of the organization's workforce to the bottom.


Praise for CULTURE SHIFT:

‘The mix of personal experience and straight-talking advice creates a vital handbook for anyone taking on the task of managing culture.’ — Sunny Varkey, Founder of GEMS Education and Varkey Foundation

‘I taught culture at a business school for years, and always felt that I was about to get found out, because all the models I came across sounded plausible but simply didn't work. I wish I'd had this book, and I wish I'd written it. Bravo - it should be issued to all new leaders along with their security pass on day one.’ — Eve Poole, author of LEADERSMITHING

‘One person's logic is not another's - a key premise of this accessible book that unpicks why you can't simply announce the culture you want, and expect to create it. It takes time, effort, balance and a healthy dose of pig-headedness. Wonderful, original stuff.’ — Charlie Hodgson, Team and Leadership Coach


Kirsty Bashforth is CEO of QuayFive Ltd, advising CEOs on change, organizational culture and leadership, with clients across energy, utilities, health and financial services sectors both in the FTSE 100 and globally. Previously, she was Group Head of Organizational Effectiveness with BP, designing and delivering the shift in the company's organizational culture for five years from 2010, as part of the company's response and recovery following the Deepwater Horizon incident.

Follow Kirsty on Twitter

Visit Kirsty’s website

Head of Zeus acquires two new thrillers by David Gilman

Nicolas Cheetham, CEO at Head of Zeus, has acquired UK & Commonwealth rights to two new David Gilman thrillers from Isobel Dixon, Head of Books at Blake Friedmann.

David Gilman is best known for his MASTER OF WAR series, set during the 100 Years War, which has sold some 400,000 copies in English and is a top 10 paperback and eBook bestseller in Germany (Rowohlt). The 6th MASTER OF WAR title CROSS OF FIRE is published in the UK on 6 February 2020 and Gilman is currently completing the 7th. He is also the author of THE LAST HORSEMAN (shortlisted for the Wilbur Smith Adventure Writing Prize) and NIGHT FLIGHT TO PARIS. Rights to his books have been sold in 16 languages worldwide.

The former paratrooper, marketing manager (Penguin South Africa) and screenwriter (TOUCH OF FROST) is now set to return to shelves with a contemporary thriller THE ENGLISHMAN, following its eponymous ex-Foreign Legion protagonist from the arid deserts of Africa, to the bleak streets and back-alleys of South London, and beyond to the underbelly of Moscow and the icy grip of an arctic prison camp.

Nicolas Cheetham said: ‘Building on the success of David’s historical thriller NIGHT FLIGHT TO PARIS, this is a KOLYMSKY HEIGHTS-class novel which will be our star title for July 2020 – a quest for revenge that leads to the permafrost desolation of a Siberian penal colony. A place that holds Russia's most brutal murderers. How will our hero get in? More importantly, how will he get out?’

David Gilman said: ‘Many years ago I met some French Foreign Legionnaires and was fascinated by them. Then, while completing a MASTER OF WAR title, Raglan knocked firmly on my door and wouldn’t go away. I realised this intriguing, intelligent, highly trained and fallible ex-Legionnaire with a strong moral code would be a valuable asset in any situation in which I placed him, stepping from the shadows and into danger when governments need him – someone who does not officially exist. I’m very glad my publisher Nic Cheetham of Head of Zeus let him in too.’

Isobel Dixon said: ‘Fans already eagerly await the next appearance of Thomas Blackstone in every MASTER OF WAR title, and now they have a fantastic contemporary treat in store as well, with the arrival of Dan Raglan on the scene. An arrival that is guaranteed to cause a stir. I’m delighted that Head of Zeus will be introducing readers to David Gilman’s unforgettable hero in THE ENGLISHMAN this year.’


Praise for David Gilman

'I'm totally bedazzled. I'd never thought that another writer could rival Bernard Cornwell…but David is giving him a real run for his money.’ — Sharon Penman

‘What Gilman does superlatively is heart-pounding action.’ — Amanda Craig, The Times

'Like a punch from a mailed fist, MASTER OF WAR gives a true taste of the Hundred Years War. It is a gripping chronicle of pitched battle, treachery and cruelty.' — Robert Fabbri

‘NIGHT FLIGHT TO PARIS is a magnificent war spy thriller. I couldn’t read it fast enough. Clever, complex, gripping, emotionally engaging, terrifying. And so much more. A stand-out novel of the year for me and one that kept me reading late into the summer night.’ — For Winter Nights

‘A gripping read from an assured storyteller’ — Antonia Senior, The Times

'A gripping ride.' — Wilbur Smith

'Page-turning and gritty.' — Daily Mail


Follow David on Twitter

Visit David’s website

BFLA Best of 2019 and Picks for 2020

We are so proud that our authors have been featured in so many of the Best of 2019 selections and picks for 2020. In celebration of these amazing achievements, we have compiled this summary of the lists in which our authors were included, along with the praise that accompanied their selection.

BEST BOOKS OF 2019

MANDALAY: RECIPES AND TALES FROM A BURMESE KITCHEN by Mimi Aye
‘It’s rare to come across a book that opens up a largely unknown cuisine, but MANDALAY does exactly that. Burmese recipes that combine the deliverable with the authentic, written with calm authority leavened with personal touches from an engaging personality.’ – Financial Times, Best Books of 2019: Food and Drink

‘This will likely be an introduction for many to an underappreciated cuisine, partly because of the politics of the place. Worry not, you are in excellent hands. Aye is a gifted recipe writer and opinionated champion of the food of her family (see, for instance, the short section on “Why MSG is A-OK”). This is a book to read as well as cook from, packed with evocative imagery.’ — The Observer, The 20 best food books of 2019

‘The book that opened my mind, and belly, to Burmese food, a cuisine I knew little about. Aye is the most beguiling of guides, weaving in tales of Burmese family and childhood travels, alongside recipes for mohinga and pickled tea-leaf salad.’ — Tom Parker Bowles, Daily Mail, Books of the Year 2019

‘Wonderful… The perfect introduction to a cuisine that draws from its neighbours in Thailand, India and China while making dishes that are quite unique. MiMi gives detailed descriptions of ingredients, techniques and recipes - giving the home cook all the tools, tips and - most of all - inspiration to make these dishes themselves.’ — Hot Dinners, The Best Cookbooks for Christmas Presents in 2019

CTRL+S by Andy Briggs
‘After more than a dozen novels for children, Andy Briggs has turned his hand to adult SF in the fast-paced, hi-tech thriller CTRL+S… A slick plot and a neat resolution.’ — The Guardian, Best Recent Science Fiction, Fantasy and Horror

LITTLE by Edward Carey
Edward Carey’s LITTLE is one of the most original historical novels of the year. Illustrated with the author’s unsettling, black-and-white drawings, it is inspired by the early life of Marie Grosholtz, better known as Madame Tussaud, although it is filled with Carey’s own vivid imaginings… By turns macabre, funny, touching and oddly life-affirming, LITTLE is a remarkable achievement.’ — The Sunday Times, Paperbacks of the Year

LOWBORN by Kerry Hudson
A Book of the Year for the Book Shambles podcast

‘[Kerry’s] writing is bold, beautiful, honest and sometimes painful to read. It gets my vote because Kerry illustrates the realities of what austerity in the UK does to people. At a time when people are relying on food banks, facing homelessness and struggling with cuts – it’s an essential read.’ — Stylist, The Decade’s 15 Best Books by Remarkable Women Authors

‘The power imbalance in Kerry Hudson’s memoir, LOWBORN, is both individual – a childhood surrounded by chaotic, often substance-altered adults – and societal. For her, the combination meant: “1 single mother; 2 stays in foster care; 9 primary schools; 1 sexual abuse child protection inquiry; 5 high schools; 2 sexual assaults; 1 rape; 2 abortions; my 18th birthday.” Also occasional homelessness and eight out of 10 on the Adverse Childhood Experiences scale. She escaped into the middle-class world of novel writing; in LOWBORN she returns, a refugee afflicted with survivor guilt, looking for memories and raging at how little has changed.’ — Guardian, Best Biography and Memoirs of 2019

‘A frank, personal story of Britain’s impoverished hidden millions.’ — Metro, Most Revealing Memoirs and Autobiographies of 2019

‘If there were any justice in the world, there would be a copy of Hudson’s powerful examination of her impoverished upbringing and why it continues to resonate under every politician’s Christmas tree.’  —iNews, Books of the Year 2019

‘In a society which often prefers to look in the opposite direction, Kerry Hudson's LOWBORN is an essential tour-de-force unravelling the realities of being born working class in Britain. Dubbed 'one of the most important books of the year' by the Guardian, LOWBORN is by turns an indictment of the UK's failing welfare state, and a humorous, heart-warming homage to the resilience of the human spirit. Read it, learn from it and pass it on.’ — Penguin, 10 of the Best VINTAGE Books of 2019

Peter James
Number 40 in The Bookseller’s list of the Top 50 highest earning authors of the year.

SWIMMING IN THE DARK by Tomasz Jedrowski
‘The overwhelming SWIMMING IN THE DARK by Tomasz Jedrowski, a young Polish author who writes rather miraculously in English, of which he has magisterial and frankly, Conradian command.’ — Sebastian Barry, Guardian, Best Books of the Year 2019

THE SCARFOLK ANNUAL by Richard Littler
‘This is the blackest of black humour.’ — Daily Mail, The Year’s Most Essential Books 2019

HIS BLOODY PROJECT by Graeme Macrae Burnet
‘If there is anything better than a historical novel, it has to be a historical crime novel, and Burnet proves himself a bit of a master of the genre with HIS BLOODY PROJECT… Multiple perspectives make this novel more twisty and turny than it already is, and although Burnet was an unexpected addition to the Man Booker Prize shortlist, this book more than earns its place. Masquerading as true crime – one of the most popular genres of the decade – it is also a work of strong literary merit, set in a community and a time that doesn’t get too much attention from authors who aren’t part of the Scottish literary scene. Burnet contributes to his own literary heritage with this novel, and honestly it also just a really cracking read.’ — Cultured Vultures, 10 Best Historical Novels of the 2010s

THE WILD REMEDY by Emma Mitchell
’A beautifully illustrated journey through the year, focussing on how nature and the outdoors can help our mental well being. Written with wisdom and kindness, and centred on Emma Mitchell’s own experiences, this is for anyone who loves learning more about the world around us, and for those who seek a way to help an unquiet mind. This book is a joy to own, and I cannot think of anyone whose life would not be a better place for reading it.’ — Joanna Cannon, Waterstones, Top 5 Reads of 2019

SHADOWPLAY by Joseph O’Connor
SHADOWPLAY is an absolutely magnificent book. It's not just a portrait of Bram Stoker, but a novel of the here and now. This is one of the best books of the year, anywhere.’ – Column McCann, The Irish Independent, Books of the Year

‘SHADOWPLAY has an extraordinary sense of the period and, using shifting scenes and changing perspectives, displays a brilliant ear for tone and nuance, and a wonderful talent for evoking and creating drama.’ – Sebastian Barry, Irish Independent, Books of the Year

‘A book inspiring deepest gratitude and admiration was Joseph O’Connor’s SHADOWPLAY, whose immaculate sentences were engines of the sometimes strange inner and outer reality of Bram Stoker and Henry Irving.’ — Sebastian Barry, Guardian, Best Books of the Year 2019

‘Resurrecting Victorian theatre in all its gaudy wizardry, this novel throws the limelight on three figures: Ellen Terry, the best-loved actress of the age; Henry Irving, its charismatic actor-impresario; and Bram Stoker, friend of both and author of the vampire classic Dracula. O’Connor’s panache and subtlety wonderfully match the gusto and creative finesse of the High Victorian world he dazzlingly evokes.’ – The Sunday Times, Best Novels of the Yea

‘Joseph O’Connor’s depiction of the theatre world of late 19th-century London in SHADOWPLAY is atmospheric and evocative, while he also manages to explore with verve, humour and acuity the public role and inner turmoil of the intriguing Bram Stoker.’ — Diarmaid Ferriter, The Irish Times, Books of the Year 2019

‘SHADOWPLAY by Joseph O’Connor was a glorious romp through Victorian London in the excellent company of Bram Stoker, Ellen Terry, Sir Henry Irving and the Lyceum Theatre. I believed every word of this fictionalised account of their relationship.’ — Liz Nugent, The Irish Times, Books of the Year 2019

‘I thoroughly enjoyed Joseph O’Connor’s SHADOWPLAY, which offers a dramatic and sensual insight into the lives of Bram Stoker and Henry Irving when they were working alongside each other at the Lyceum Theatre in 1870s London. O’Connor inhabits his characters with all the intensity of a method actor, re-creating an extraordinary world of creativity and self-doubt.’ — John Boyne, The Irish Times, Books of the Year 2019

‘GHOST LIGHT, Joseph O’Connor’s exquisite reimagining of Synge’s love affair with Molly Allgood, did not get the recognition it deserved. Not so SHADOWPLAY, his brilliant portrayal of Bram Stoker’s intense relationships with Henry Irving and Ellen Terry, a witty, wry, astute and tender delight.’ — Martin Doyle, The Irish Times, Books of the Year 2019

‘Now on the shortlist for the Costa Fiction Book of the Year, SHADOWPLAY is a fabulous, atmospheric jaunt back in time to Victorian London's West End, when Bram finds new inspiration and we watch as the immortal Dracula begins to take shape. An unmissable, colourful read about love, performance and creativity, you will practically be able to smell the greasepaint.’ — Penguin, 10 of the Best VINTAGE Books of 2019

‘It’s a book that totally swept me away to that lovely Victorian time in London, moonlight and fog – the atmosphere of it. He paints the canvas so well. You’re with Bram Stoker in the attic of the Lyceum Theatre where he was writing Dracula surrounded by all these ghost stories and the monstrous ego of Sir Henry Irving. Bram must have used Irving as inspiration for Dracula – he comes across as a really insecure monster in the book. It has comical flourishes as well because Oscar Wilde makes a cameo, which is very funny. You have some crazy tantrums by actors. It’s a bit like MOULIN ROUGE meets DRACULA. I absolutely loved it.’ — Oliver Callan, Irish Examiner, Well Known Figures Tell Us About Their Favourite Books of 2019

THE ’D’ MONOLOGUES by Kaite O’Reilly
Welsh Books – The Best of 2019 in Wales Arts Review

 

BOOKS TO READ IN 2020

ALLIGATOR & OTHER STORIES by Dima Alzayat
‘This rich short story collection exploring gender, identity, family and inheritance packs an emotional punch. Often told through the lens of everyday scenarios, the stories evoke displacement in a variety of ways: as a Syrian, as an Arab, as an immigrant and as a woman. While each story is different, they’re underpinned by experiencing “otherness”.’ — Cosmopolitan, 49 New Books by Black and POC Authors You’ll Be Reading in 2020

LOVE IN COLOUR: MYTHICAL TALES FROM AROUND THE WORLD, RETOLD by Bolu Babalola
‘In these 18 stories, writer and columnist Bolu Babalola retells love stories with a twist: she (thankfully) modernises the stories by removing sexism, racism and violence from these tales. Spanning Nigerian folktales, Greek myths to ancient tales from South Asia, these tales of romance and desire move across perspectives, continents and genre from the historic to current.’ — Cosmopolitan, 49 New Books by Black and POC Authors You’ll Be Reading in 2020

THE SWALLOWED MAN by Edward Carey
‘Edward Carey’s LITTLE (about the Life of Madame Tussaud) was a bit of a hit. This new one imagines the experiences of Pinocchio’s father, Geppetto, during the years he spent trapped in the belly of a shark.’ — The Times, Best Books of 2020

SWIMMING IN THE DARK by Tomasz Jedrowski
‘Imagine CALL ME BY YOUR NAME set in Communist Poland and you'll get a sense of Jedrowski's moving debut about a consuming love affair amidst a country being torn apart.’ — The Oprah Magazine, 31 LGBTQ Books That'll Change the Literary Landscape in 2020

THE LAST HUNT by Deon Meyer
‘The indefatigable detective duo of Benny Griessel and Vaughn Cupido has returned in this latest blockbuster adventure from Deon Meyer… You’ll enjoy the suspense and thrills of this runaway train of a mystery.’ — CrimeReads, Most Anticipated Crime Books of 2020

BOBBY MARCH WILL LIVE FOREVER by Alan Parks
Scottish Book Trust, 30 Scottish novels to look out for in 2020

PETER JAMES’ ROY GRACE SERIES COMMISSIONED BY ITV TO STAR JOHN SIMM AS ROY GRACE

Credit: James Clarke

Acclaimed screenwriter and Endeavour creator, Russell Lewis, has adapted two of international bestseller Peter James’ award-winning novels for ITV from the Roy Grace series starring John Simm in the lead role of the tenacious detective.

Entitled Grace, the 2 x 120 screenplays will narrate the first two stories in the series, DEAD SIMPLE and LOOKING GOOD DEAD, which introduced Brighton-based Detective Superintendent Roy Grace, a hard-working police officer who has given his life to the job. 

Co-produced by Second Act Productions, Tall Story Pictures and Vaudeville Productions, the drama opens with Grace’s career at rock bottom. He’s fixated by the disappearance of his beloved wife, Sandy, which haunts his thoughts.  He’s in the last chance saloon running enquiries into long forgotten cold cases with little prospect of success. Following another reprimand for his unorthodox police methods, Grace is walking a career tightrope and risks being moved from the job he loves most. 

With so much at stake, his colleague Detective Sergeant Glenn Branson knows he has more to give and asks him for help with a case.  When a stag night prank appears to go wrong and the groom goes missing, Branson calls upon Grace to unravel events that led to the mysterious disappearance three days before his wedding to his beautiful fiancé. 

A successful property developer with everything to live for, there is no trace of the missing groom. Is this a case of stag night shenanigans gone badly awry? Or is this something more sinister? With nothing but instinct, a lingering suspicion and his obsessive nature, Grace doggedly pursues the groom’s disappearance and becomes uneasily close to the bride-to-be….

Grace will begin filming in Brighton during the early months of 2020 with executive producers Andrew O’Connor and Paul Sandler for Second Act Productions, Patrick Schweitzer for Tall Story Pictures, Michael Vine for Vaudeville Productions, and Russell Lewis and Peter James. The first film, Dead Simple, will be directed by John Alexander (Belgravia, Trust Me, Jamestown) with the second film, Looking Good Dead, directed by Julia Ford (Sticks and Stones, The Bay II, Safe).

Part of ITV Studios, Second Act Productions was created in 2015 by Andrew O’Connor and Paul Sandler to focus primarily on scripted comedy and entertainment commissions. Grace is the company’s first scripted drama commission for ITV.

Andrew O’Connor and Paul Sandler commented on behalf of Second Act: ‘We're absolutely delighted to be working with Russell Lewis and Peter James, two of the greatest writers around and to have the chance to bring Grace alive on screen. Like so many other readers, we’ve been fans of the Grace books since they first appeared, so this is a fantastically exciting project for us.’

Co-founded by Creative Director Catherine Oldfield in 2016, Tall Story Pictures is responsible for producing The Bay, Sticks and Stones and Bancroft for ITV.  Previous commissions include Mike Bartlett’s Trauma starring John Simm and Adrian Lester, Tutankhamun and Lucan. Patrick Schweitzer executive produces Grace on behalf of Tall Story Pictures.

Patrick Schweitzer commented ‘We're thrilled to be involved in bringing these wonderful novels to the screen, with DSI Roy Grace being played by the marvellous John Simm we couldn’t wish for anyone more perfect to bring this role to life.’

Writer Russell Lewis is also known for his work on Morse, Lewis, Murphy’s Law, Sharpe’s Peril and Kavanagh QC.

Russell Lewis commented: ‘I’m thrilled and honoured to be involved in bringing Peter James’ brilliantly gripping series of Roy Grace novels to ITV.   Each story is a fantastic, hair-raising, twisting, switch-back of a roller-coaster ride that grips the reader from first to last, and the opportunity to translate that best-selling magic to television is like all one’s Christmases and birthdays come at once.  As his millions of fans and admirers are well aware, Peter's meticulous research and eye for detail is the stuff of legend.  His long established, close relationship with the police, taken together with a knowledge of Brighton and the South Coast that is the sole preserve of the born and bred lends his stories an unimpeachable veracity of place and procedure. That John Simm will be breathing flesh to the bones of Roy Grace really is the cherry on a dark, and troublingly encrimsoned cake…’

ITV’s Head of Drama, Polly Hill, and Drama Commissioner, Huw Kennair Jones have commissioned Grace for the channel. Huw will oversee production of the drama from the channel’s perspective.

Huw Kennair Jones commented: ‘With the brilliant combination of Peter James, Russell Lewis and John Simm, Grace promises to be a compelling new detective series for ITV and we're delighted to be bringing the iconic books to life with such an exciting production team.’

Peter James commented: ‘John Simm, who actually looks like the Roy Grace of my imagination, is inspired casting!  With John in the lead, the brilliant scripting by Russell Lewis, and our wonderful production team, I’m confident that fans of my novels and of TV crime dramas in general will be in for a treat.’

ITV Studios GE will be responsible for the international distribution of Grace.

The latest DS Roy Grace title DEAD AT FIRST SIGHT went to Number 1 on the UK paperback bestseller charts for several weeks and is currently still in the Top Ten, adding to a long line of major bestsellers for Peter James.

Praise for Peter James

‘Peter James is one of the best crime writers in the business’ – Karin Slaughter

‘Peter James is one of the most fiendishly clever crime fiction plotters’ – The Daily Mail

‘In my thirty-four years of policing, never have I come across a writer who so accurately depicts “The Job“’ – Detective Investigator Pat Lanigan, Office of the District Attorney, NYPD

About Peter James
Peter James is the international bestselling author of many award-winning novels. His Detective Superintendent Roy Grace series, set in Brighton – translated into thirty-seven languages with worldwide sales of over twenty million copies – has given him fifteen consecutive Sunday Times Number Ones. In 2015 WH Smith customers voted him the Greatest Crime Author of All Time and in 2016 he was awarded the coveted CWA Diamond Dagger, a lifetime achievement award for sustained excellence. In 2018 he received a Specsavers Honorary Platinum Bestseller Award.

Successful nationwide tours of the stage plays of THE PERFECT MURDER (2014), DEAD SIMPLE (2015,) NOT DEAD ENOUGH (2017) and THE HOUSE ON COLD HILL (2019) have packed theatres in dozens of British cities, and garnered magnificent reviews. Peter James’ latest standalone title THE SECRET OF COLD HILL was published in hardback in October 2019 and was also a Top Ten bestseller and his stunning international thriller ABSOLUTE PROOF was a blockbuster Richard & Judy Summer pick.

Visit the official website.

Like him on Facebook. 

Follow Peter James on Twitter. 

Follow him on Instagram. 

Watch Peter James TV.