Joseph O’Connor returns with the Rome Escape Line trilogy

We’re thrilled that Harvill Secker will be publishing an extraordinary trilogy of literary thrillers set in Rome during the final, tumultuous years of World War II, by the bestselling author of SHADOWPLAY and STAR OF THE SEA, Joseph O’Connor. Liz Foley, Publishing Director at Harvill Secker, acquired UK and Commonwealth rights (excluding Canada) in all three novels and has been joined by Europa’s Editor-in-Chief Michael Reynolds, who has also acquired the three titles for publication in the US and Canada.

My FATHER’S HOUSE, the first title in the Rome Escape Line trilogy, is inspired by the true story of Monsignor Hugh O’Flaherty, an Irish priest assigned to the Vatican who, together with a group of unlikely accomplices, risked his life to smuggle Jews and escaped Allied prisoners out of Italy right under the nose of his Nazi nemesis, Gestapo officer Paul Hauptmann. The further titles will take two other characters in the Escape Line group as their focus, as they face their own challenges in the fight to save others in dangerous times.

MY FATHER’S HOUSE will be published by Harvill Secker and Europa in January 2023. Rights are also already sold in France, Italy and Sweden.

Based on an extraordinary true story, MY FATHER'S HOUSE is a powerful literary thriller from a master of historical fiction. Joseph O'Connor has created an unforgettable novel of love, faith and sacrifice, and what it means to be truly human in the most extreme circumstances.

Joseph O’Connor said: ‘I am absolutely thrilled and excited that MY FATHER’S HOUSE will be published by Harvill Secker and Europa. Working on the book with editor Liz Foley has been a joy, and I deeply admire the skill and professionalism of the whole Harvill / PRH team. It is also such a great pleasure to be published by Michael Reynolds at Europa, where the passion for excellence is so strong. This novel means a lot to me and I couldn't imagine it in better hands as it sets out to meet its readers on both sides of the Atlantic.’ 

Liz Foley, Harvill Secker said:  'MY FATHER'S HOUSE is a moving and masterful literary thriller – quite extraordinary in being a beautiful read and also intensely gripping. We can’t wait to bring readers to the wartime Rome Joe so brilliantly conjures and introduce them to the Escape Line.’

Michael Reynolds, Europa, said: ‘Joe’s ability to render character and atmosphere, to create a fully realized world in his novels is unparalleled. He writes each member of his cast of characters with remarkable vividness and conveys just what is at stake in their actions—not only the lives of the people they help but the future political and moral bearings of a world riven by war. MY FATHER’S HOUSE is epic in scope, gripping, beautifully written, and it is an important book because of the questions it raises about how one ought to act. The publication of MY FATHER’S HOUSE will be a big event at Europa, and the excitement in-house is already palpable.’

Isobel Dixon said: ‘MY FATHER’S HOUSE is an extraordinary true story, conjured into an unforgettable novel, one that delivers nail-biting tension along with scenes of great beauty and heartbreaking tenderness. There is such excitement around this very special book, and I know that excitement will spread from Joe’s publishers to many more readers – and we are all thrilled that there is more to come from Joe’s magnificent characters as well.’

 About Joseph O’Connor

Joseph O'Connor was born in Dublin. His most recent novel, SHADOWPLAY, won Eason Novel of the Year at the An Post Irish Book Awards 2019 and in 2020 was shortlisted for the Costa Novel Award, Novel of the Year at the Dalkey Literary Awards, the Kerry Group Irish Novel of the Year Award, the Walter Scott Prize for Historical Fiction and the Jean Monnet Prize. In 2022, he was awarded the AWB Vincent American Ireland Fund Award for his contribution to Irish literature.

Joseph is the author of eight other novels: COWBOYS AND INDIANS (Whitbread Prize shortlist), DESPERADOES, THE SALESMAN, INISHOWEN, STAR OF THE SEA (American Library Association Award, Irish Post Award for Fiction, France's Prix Millepages, Italy's Premio Acerbi, Prix Madeleine Zepter for European novel of the year), REDEMPTION FALLS, GHOST LIGHT (Dublin One City One Book Novel 2011) and THE THRILL OF IT ALL. His fiction has been translated into forty languages. He received the 2012 Irish PEN Award for outstanding achievement in literature and in 2014 he was appointed Frank McCourt Professor of Creative Writing at the University of Limerick.

Praise for Joseph O’Connor and SHADOWPLAY

‘A masterful storyteller.’ — Neel Mukherjee, The Times

‘Joseph O’Connor’s magnificent novel does even more than fly, it soars.’ — Michael Dirda, The Washington Post

‘A great writer performing Olympian literary storytelling.’ — Sir Bob Geldof

‘Breathtaking … SHADOWPLAY is a book undaunted. … As much as this is a hugely entertaining book about the grand scope of friendship and love, it is also, movingly – at times, agonisingly – a story of transience, loss and true loyalty.’ Sadie Jones, The Guardian

‘A vibrantly imaginative narrative of passion, intrigue and literary ambition’ — Miranda Seymour, New York Times

'Like Joyce, O'Connor combines his panoramic range with a close eye to the grain and texture of the phrase... An astonishingly accomplished writer.'  — Terry Eagleton, The Guardian

‘Ireland’s greatest storyteller.’ — The Sunday Independent

‘Subtly drawn and intensely affecting… Mr. O’Connor’s main characters—Stoker, Irving and the beloved actress Ellen Terry—are so forcefully brought to life that when, close to tears, you reach this drama’s final page, you will return to the beginning just to remain in their company.’ — Anna Mundow, Wall Street Journal

‘One of the best writers working today.’ – Alice Walker

Stuart Urban’s ‘spellbinding and uniquely watchable’ THE SECRET hits the Netflix Top 10

THE SECRET – the BAFTA-nominated crime drama from writer/director Stuart Urban – has entered the weekly Netflix Top 10 for most-watched series in the UK.

Starring James Nesbitt (whose performance was nominated for Best Actor at the 2017 Royal Television Society awards) and Genevieve O’Reilly, THE SECRET is a chilling four-part series based on the events that occurred between 1991 and 2011, and the extreme actions taken by dentist Colin Howell and Sunday school teacher Hazel Buchanan to enable their illicit affair.

Originally broadcast on ITV in 2016 to critical acclaim, viewers on Netflix are re-discovering Stuart’s gripping series, and the dark true story behind it. The series won Best Drama at the 2016 Royal Television Society’s Northern Ireland awards, as well as garnering nominations for Best Miniseries at the BAFTAs and Best Drama Series at the Broadcast Awards in 2017.

About Stuart Urban

Stuart is an award-winning writer, director and executive producer who has worked across both film and TV for more than thirty years.

After honing his craft working on long-running series ‘The Bill’ and ‘Bergerac’, Stuart won the BAFTA Award for Best Single Drama in 1993 for his Falklands War drama AN UNGENTLEMANLY ACT. He would follow this up in 1996 with a second BAFTA Award for Best Drama Serial, for his directorial work on the BBC’s seminal series OUR FRIENDS IN THE NORTH.

His theatrical writer/director credits include PREACHING TO THE PERVERTED, REVELATION and MAY I KILL U? He is also a celebrated documentary maker, with the BIFA-nominated TOVARISCH, I AM NOT DEAD – telling the story of his own father’s escape from both the Russian Gulags and his family’s fate in the Holocaust – and the recent Sky crime documentary THE MYSTERY OF SUZY LAMPLUGH.

Praise for THE SECRET:

‘The real achievement of Stuart Urban’s superb script was in capturing the weird balance of religious devotion and sexual obsession that seemed to normalize the relationship in Howell and Buchanan’s minds… THE SECRET was masterly, an excellent reason to stay in on Friday nights to come’ – Gerard O’Donovan, The Daily Telegraph

‘Startling…. resembles a darkly comic Ulster version of ‘The Affair’, should give…ITV a hit for viewers who find ‘The Durrells’ too twee. Compelling …confirms (N Ireland) as a powerhouse of TV drama.’ – Mark Lawson, The Guardian

‘I can’t remember a better portrayal of suburban charm hiding suburban evil…it’s hard to create suspense when you already know the ending. But in this case...it was still a nailbiter.’ – Matt Rudd, The Sunday Times

‘A kind of Shakespearean drama of passion and repentance, really powerful and deep.’ – Rev. Richard Coles, Saturday Live on BBC Radio 4

‘A terrific dramatization…I have watched ahead and it only gets better…truly chilling…there being nothing quite so terrifying as a man convinced of his own righteousness.’ – Euan Ferguson, The Observer

‘Told with passion and power…the sort of tale we’ve seen many times before, yet what made THE SECRET so interesting was the way Stuart Urban’s smart script dealt with it… Urban sensitively depicted a close-knit community where religion was central.’ – Sarah Hughes, The i

‘Does a smooth job of making grueling events believable….that’s one of the best things in Stuart Urban’s script – a sense of how important religion, being part of “a flock” is….a calm morality tale.’ – Radio Times, Pick of the Day.

KAITE O’REILLY’S ‘richard iii redux’ TAKES TO THE STAGE IN MADRID

Sara Beer in ‘richard iii redux’. Image credit: Artezblai

Kaite O’Reilly and Phillip Zarrilli’s play ‘richardiii redux, or Sara Beer [is/not] richard iii’ – nominated for the 2018 James Tait Black Prize for Drama – has just finished its first international run, at the Teatro de la Comedia in Madrid.

The play, reflecting on Shakespeare’s representation of disability in his acclaimed historical tragedy, stars Sara Beer as the iconic machiavel. According to Kaite, ‘our piece interrogates, satirises and subverts Shakespeare's attitude towards physical difference through a parallel contemporary story: a bogus autobiography of performer Sara Beer, who had the same form of scoliosis. Through irreverent references, we break down the construction of the “twisted body, twisted mind” stereotype of Richard III as evil incarnate – and we do it with laughter and moments of playfulness and absurdity.’

Praise for ‘richard iii redux’:

‘richard iii redux or Sara Beer [is/not] richard iii is a bold, informative, occasionally traumatic, and irreverently amusing 70 minutes of theatre.’ – Othniel Smith, British Theatre Guide

‘Richard III Redux is an insightful piece of disability art, mixing demonstrably excellent work by disabled people with biting social comment. More than this, it lets us into a new Richard, one free of disabling barriers. But rather than talking about it, my best advice is go and see it. You won’t regret it.’ – Chris Tally Evans, Disability Arts Online

‘Sara Beer and Kaite O’Reilly’s approach to Richard III is certainly unique… It is a brave piece, and one that demonstrates how Shakespeare’s work can be actualised without being fit into a mold it doesn’t belong in. All in all, the show managed to give a layered interpretation of an iconic character by approaching it from an angle that, while often visited in the past, has never been entirely in the spotlight. It is an excellent, immersive experience that is sure to leave its audience thinking well after its conclusion.’ – Chiara Strazzulla, Arts Scene in Wales