TIEPOLO BLUE By James Cahill shortlisted for Authors’ Club Best First Novel Award

March 20, 2023 Intern BlakeFriedmann

TIEPOLO BLUE, James Cahill’s electric debut, has advanced to the shortlist for the Authors’ Club Best First Novel Award.

The Authors’ Club Best First Novel Award was established in 1954, making it the longest-running UK prize for debut fiction and, overall, the third oldest literary prize in Britain. Past winners include Gail Honeyman, Jackie Kay and the late Gilbert Adair, also a Blake Friedmann client. This year’s winner will be revealed at dinner on 24 May, to be held at the National Liberal Club.

Also shortlisted alongside James are: THE DICTATOR’S WIFE by Freya Berry, MY NAME IS YIP by Paddy Crewe, WHEN WE WERE BIRDS by Ayanna Lloyd Banwo, BLACK BUTTERFLIES by Priscilla Morris, and THE WHALEBONE THEATRE by Joanna Quinn.

Lucy Popescu, the chair of the judging panel, said: ‘We are proud to recommend six exceptional debuts. These dazzling novelists cover a range of subjects from art and privilege, love and loss, knowledge and selfhood, the pursuit of power and the devastating consequences of war. We travel with them through eastern Europe to the American Frontier, from England’s past to Trinidad today.’

TIEPOLO BLUE follows the unravelling of revered art historian Donald Lamb. Freed from the constraints of academia, it looks like the anarchic contemporary art scene of 1990s London might be his salvation, but he soon suffers an earth-shattering fall from grace that leaves him questioning everyone and everything.

TIEPOLO BLUE was published in hardback by Sceptre in June 2022 to great acclaim. It attracted widespread praise, including from Patrick Gale and Stephen Fry (the latter describing it as ‘The best novel I have read for ages’), and was also included in the BBC’s and Times Literary Supplement’s ‘Best of 2022’ lists. It will be published in paperback on 27 April 2023.

James is currently writing his second novel, THE VIOLET HOUR, a sweeping psychological drama and satire of the international art world, which will be published in hardback by Sceptre in summer 2024.

Praise for TIEPOLO BLUE

‘Startlingly impressive . . . a heavily perfumed, sexually tender, psychologically acute novel’ – Claire Allfree, Daily Mail

‘The story of Tiepolo Blue and its people have invaded my dreams . . . Don’s disintegration is painful to read, but it all grips you like a thriller. My heart was constantly in my throat as I read… There is so much to enjoy, to contemplate, to wonder at, and to be lost in’ – Stephen Fry

‘Not only an addictive pageturner, Cahill’s book taps into the tensions and suspicions between generations that feel incredibly relevant for our testy times’ – Jessie Thompson, Evening Standard

‘The spirit of E. M. Forster is alive and well in James Cahill. The same palpating of damaged moral tissue, the same psychological canniness, the same gently invoked erudition, the same exactitude and eloquence’ – Edmund White

‘The plot is propulsive, though the crafted ambience of unease simultaneously destabilizes the reader at every turn . . . It’s a measure of Cahill’s sleight of hand that he manages to inject his plot with such page-turning momentum’ – Lucasta Miller, TLS

‘Tells a gripping tale of the worlds of traditional academia and art history pitted against those of contemporary art, each failing horribly to understand the other. As a result, all becomes infused with satirical comedy and ghastly tragedy’ – Norman Rosenthal

‘I just devoured Tiepolo Blue, I could not put it down. The longing, the beauty, the detail, the complexity, the art, the intellect and the emotion . . . What a triumph!’ – Paul Kindersley

‘Interrogating beauty and meaning in art, Tiepolo Blue rewards rereading . . . a stylish tale of love and long-game revenge’ – Rebecca Swirsky, Royal Academy Magazine

‘Dizzying and exciting and unsettling, and beautifully told’ – Reverend Richard Coles, ‘Big Writers on Their Best Reads of 2022’, Daily Mail

‘This is a novel full of suspense and surprise. It made me laugh and brought back memories of a time in my own life. I missed the characters as soon as I’d finished’ – Sarah Lucas

‘The musings of the book’s protagonist on the radical power of art to act as a catalyst for personal change make it an exhilarating, erudite read’ – Liam Hess, Vogue.com

‘I travelled on the exquisite vessel of James Cahill’s prose, unable to disembark. The journey is sensual, treacherous and elegiac. The final landing, breathtaking’ – Maggi Hambling

‘[An] arresting debut novel . . . a masterly attention to detail and an irresistibly propulsive, almost swaggering style’ – Michael Delgado, Literary Review

‘Wow. It is magnificent. Simply magnificent . . . Tiepolo Blue really has blown me away: the gorgeous phrase-making; the sure-footed pacing; the (re-)immersion in a world I know, or knew, in a way that is both hard-edged with historical detail and almost hallucinatory’ – Robert Douglas-Fairhurst

About James Cahill

James Cahill was born in London. Over the past decade, he has worked in the art world and academia, combining writing and research with a role at a leading contemporary art gallery.

His writing on art has appeared in publications including The Burlington Magazine, The Times Literary Supplement, The Los Angeles Review of Books, and The London Review of Books. He was the lead author and consulting editor of FLYING TOO CLOSE TO THE SUN (Phaidon, 2018), a survey of classical myth in art from antiquity to the present day. He was the co-curator of ‘The Classical Now’, an exhibition at King’s College London (March-April 2018), examining the relationships between ancient, modern and contemporary art. He is completing his second novel THE VIOLET HOUR (Sceptre, 2024).

He is currently a Research Fellow in Classics at King’s College London.

Follow James on Twitter and Instagram

HONEY AND SPICE by Bolu Babalola makes Début Fiction Book of the Year shortlist in the British Book Awards

March 17, 2023 Intern BlakeFriedmann

We are delighted that HONEY AND SPICE by Bolu Babalola has been shortlisted for the Début Fiction Book of the Year award as part of the British Books Awards (more commonly known as the Nibbies).

The Nibbies are a major award celebrating the book industry, administered by The Bookseller. Each year, the achievements of teams and individuals in the trade are recognised, as well as books in a range of categories.

Also shortlisted in Début Fiction category are LESSONS IN CHEMISTRY by Bonnie Garmus, THE RABBIT HUTCH by Tess Gunty, THE SATSUMA COMPLEX by Bob Mortimer, THE WHALEBONE THEATRE by Joanna Quinn and TRESPASSES by Louise Kennedy.

The winner will be announced in a ceremony on 15 May, which will also be livestreamed.

HONEY AND SPICE was published in hardback by Headline in July 2022, becoming a Times bestseller, and the paperback will follow in May 2023. William Morrow published in North America, where it was a Reese’s Book Club pick.

HONEY AND SPICE by Bolu Babalola

As host of radio show Brown Sugar, Kiki Banjo's mission is to protect her listeners from heartbreak. Which puts Whitewell College's newest student, handsome ‘player’ Malakai Korede, at the top of her hitlist.

But when Kiki's dream summer internship in New York depends on finding a fresh angle for her radio show, she must make an unlikely bargain with Malakai himself – to put their simmering clashes aside to form a fake relationship, something sweet and spicy enough to win over the whole campus.

However, close proximity to the notorious heartbreaker brings everything Kiki thought she knew about her own heart into question. Why does throwing out her stringent romantic rulebook suddenly so tempting?

Will she find it in her to resist?

Praise for HONEY AND SPICE

‘The must-read book of the summer… Think “will they, won’t they” sexual tension, 1990s university nostalgia and a sharp-tongued but soft-hearted black female lead.’ – The Sunday Times

‘A deliciously witty romantic comedy, packed full of memorable characters and relatable humour.’ – Waterstones Best Books of the Year: Feelgood Fiction

‘From the author of the bestselling short story collection LOVE & COLOUR comes this funny and charming debut novel… the central couple have a beguiling sweetness and Babalola skilfully imbues their scenes with a tender innocence that is romantic.’ – The Observer

‘Bolu Babalola’s HONEY & SPICE will steam up your sunglasses… Look forward to sizzling chemistry and well-developed characters in this debut novel from Bolu Babalola, a pop-culture scholar who previously authored the short-story collection LOVE IN COLOUR.’ – Angela Haupt, Time Magazine

‘HONEY & SPICE is gorgeously written and heart-meltingly romantic. Kiki and Malakai have a rare, extraordinary, sizzling chemistry which has you rooting for their love story from the very first moment they cross paths. A triumph of a novel.’ – Beth O’Leary, author of THE FLATSHARE

‘From the first page, there are zingers aplenty; you instantly feel safe in the knowledge that the rest will take you on a journey that’s equal parts sweet and hot. Fitting, really.’ – The Independent

‘In HONEY & SPICE, Babalola trains her keen eye and considerable wit on young Black British society… She soars in her rich depictions of intimacy and relationships, in all their grandeur… Expectations for her first full-length novel are high. Sexy, messy and wry, HONEY & SPICE more than delivers.’ – The New York Times

About Bolu Babalola

Bolu Babalola is a British-Nigerian with a misleading Bachelor's degree in Law, and a Master’s degree in American Politics & History from UCL. She feels it is important to state that her thesis was on Beyoncé's ‘Lemonade’, and she was awarded a distinction for it, so essentially she has a Master’s degree in Beyoncé.

A writer of books, scripts, culture pieces and retorts, and a lover of love and self-coined ‘romcomoisseur’, Bolu writes stories of dynamic women with distinct voices who love and are loved audaciously. She is a big believer in women being both ‘beauty and the beast’. Her short story collection, LOVE IN COLOUR, was published in 2020, became a Times bestseller and was shortlisted for Waterstones Book of the Year. Her debut novel, HONEY AND SPICE, was published in July 2022 and was a Reese Witherspoon Book Club pick.

Her culture writing can be seen in publications such as NYMag, Bustle, Vogue and Paper Magazine.

Bolu’s pilot episode of Big Age, which she created, wrote and executive produced, was broadcast on Channel 4 in autumn 2021.

Visit Bolu’s website

Follow Bolu on Twitter

Tom Benn wins The 2022 Sunday Times Young Writer of the Year Award

March 16, 2023 Intern BlakeFriedmann

We are delighted to announce that Tom Benn has won the 2022 Sunday Times Charlotte Aitken Trust Young Writer of the Year Award for his novel OXBLOOD, published by Bloomsbury.

The award celebrates fiction, non-fiction and poetry by British or Irish authors aged 35 or under: recent winners include Sally Rooney, Max Porter, Sarah Howe, Raymond Antrobus and Cal Flyn. Its fuller alumni list includes Robert Macfarlane, Sarah Waters, Simon Armitage, Naomi Alderman, Caryl Phillips, Andrew Cowan and Zadie Smith, among others.

The other titles on this year’s shortlist were LARGER THAN AN ORANGE by Lucy Burns, MAPS OF OUR SPECTACULAR BODIES by Maddie Mortimer and SUPER-INFINITE by Katherine Rundell.

On Tom’s win, Sunday Times literary editor Johanna Thomas-Corr commented: ‘Tom’s story about the struggles of three generations of women in a Manchester crime clan has been rendered with care and specificity. The result is an atmospheric family saga that contains so much buried love, anger, grief, sexual jealousy and bitter disappointment… Yet somehow I emerged from it exhilarated!’

Chair of the 2022 judging panel Andrew Holgate added: ‘What a voice Tom Benn has got, what a feel for character and place, and what an uncompromising approach he has to his subject and material. He inhabits his milieu of 1980s Manchester with total conviction. We were bowled over as a judging panel by OXBLOOD.’

Sebastian Faulks, Chair of the Charlotte Aitken Trust, presented the award, having chaired the shortlist readings at Waterstones Piccadilly the previous night. The judging panel included critic and journalist Stig Abell, poet Mona Arshi, author Oyinkan Braithwaite, and novelist and earlier winner of the prize, Francis Spufford. Stig Abell said OXBLOOD ‘is a book to get lost headlong in’ and Mona Arshi called it ‘one of those rare books where place and time are conjured so effortlessly, the cast of characters drawn with so much ease and grace.’ Oyinkan Braithwaite called it ‘a propulsive, bountiful, fearless work of art’ and Francis Spufford added that OXBLOOD ‘shows us that there are few places literature can’t take us, if the writer is brave enough, and gifted enough.’

See more on news of Tom’s win and praise from the judges for OXBLOOD:
http://www.youngwriteraward.com/tombenn/#

Watch a video of Tom talking about OXBLOOD before the prize announcement:
https://twitter.com/YoungWriterYear/status/1630656368418889739?s=20

See an interview with Tom after winning the prize:
https://twitter.com/Waterstones/status/1635981676596834305?s=20

Read an extract from OXBLOOD in Granta:
https://granta.com/oxblood/

OXBLOOD follows three generations of women as they try to come to terms with the bloody legacy of their family in 1980s Manchester. Told in vivid, visceral prose, OXBLOOD was published in hardback in April 2022 and was also longlisted for the 2022 Gordon Burn Prize. The paperback edition will be published in April. Translation rights have recently been sold in Spain.

More Praise for OXBLOOD:

‘Brilliant’ – Denise Mina

‘The master of northern noir… a richly layered tale of a Mancunian crime clan set in the 1980s, of decaying mills, rising unemployment and rampant drug dealing. This atmospheric novel, which was also longlisted for the Gordon Burn prize 2022, explores the legacy of violent men through the three generations of working-class women left behind’ – Johanna Thomas-Corr, The Sunday Times

‘One of the most powerful and urgent writers of our times.’ – David Peace

‘If I read a better novel than OXBLOOD in 2022, it’ll be a blinding year for fiction. Tom Benn, please take a bow. Everybody else, please take note.’ – Joseph Knox author of SIRENS and TRUE CRIME

‘Powerful and so beautifully written – like David Peace wrote Alan Warner’s The Sopranos and so lyrical, too.’ – Harriet Tyce, Sunday Times-bestselling author of BLOOD ORANGE

‘Reading OXBLOOD is a compelling and deeply unsettling experience; this is a novel that glitters with the dark energy and lifeblood of its characters’ – Naomi Booth, author of THE LOST ART OF SINKING and EXIT MANAGEMENT

‘More than anything, I was enamoured with Benn's audacity: to tell this raw, violent, compassionate story; to use language in such a thrilling and fresh way; to explore the dark hearts of ordinary people, and to not look away when things get messy; to be, basically, this good.’ – D.W. Wilson, author of ONCE YOU BREAK A KNUCKLE

About Tom Benn:

Tom Benn is an author, screenwriter and lecturer from Stockport, England. His first novel, THE DOLL PRINCESS (Cape), was shortlisted for the Dylan Thomas Prize and the Portico Prize, longlisted for the CWA’s John Creasey Dagger, and was The Daily Mirror's Book of the Week. His other novels are CHAMBER MUSIC (Cape) and TROUBLE MAN (Cape). He won runner-up prize in the 2019 International Desperate Literature Prize for Short Fiction, and his creative nonfiction has appeared in The Paris Review Daily. He won the BFI’s iWrite scheme for emerging screenwriters. His first film, Real Gods Require Blood, premiered in competition at the Cannes Film Festival, and was nominated for Best Short Film at the BFI London Film Festival.

His latest novel, OXBLOOD, was published by Bloomsbury in 2022 and was longlisted for the Gordon Burn Prize and won Tom the Sunday Times Young Writer of the Year Award 2022.

Follow Tom on Twitter

Fig Tree acquires spirited and deeply moving new novel by Michael Donkor

March 16, 2023 Intern BlakeFriedmann

Helen Garnons-Williams, Publishing Director at Fig Tree has acquired UK & Commonwealth rights at auction, GROW WHERE THEY FALL, the new novel by Desmond-Elliot-Prize-shortlisted Michael Donkor, from Juliet Pickering at Blake Friedmann. Fig Tree will publish GROW WHERE THEY FALL as a lead title in summer 2024.

Ten-year-old Kwame Akromah’s life is changed forever when Yaw, a charismatic 22 year-old from his parents’ homeland of Ghana, comes to stay with his family. Kwame’s carefully-ordered routine doesn’t quite know how to hold this brash young man within it, but the two form a close bond and mutual admiration, learning from each other, until their friendship comes to an abrupt end.

Twenty years later, Kwame has become an upright young man with a respectable job as a teacher at an aspirational secondary school, living just as cautiously as when he was a boy in order to keep himself ‘safe’. But when electrifying new headteacher, Marcus Felix, arrives out of the blue and bullishly challenges Kwame’s behaviour, Kwame finds himself questioning whether he’s living – or simply existing.

GROW WHERE THEY FALL is a beautifully written, spirited and deeply moving novel about a young man coming to terms with his past and finding the courage to expand the limits of who he might become.

Helen Garnons-Williams says: ‘We are so excited to welcome the fiercely talented Michael Donkor to Fig Tree. GROW WHERE THEY FALL is a huge-hearted novel about love, fear and the freedom to be oneself, written with blazing compassion, humour and honesty.’

Michael Donkor says: ‘I was amazed by and so grateful for the care and commitment Helen showed when editing HOLD – it's a total joy to be working with her again. I'm thrilled to be part of the dynamic list she's building at Fig Tree.’

Juliet Pickering says: ‘This tender, skilful novel about the making of “a man” had me rapt from the first lines. Michael’s talent is to be warm and funny while he renders his characters deeply vulnerable, and this story is full of life. I can’t wait for Helen and Fig Tree to bring GROW WHERE THEY FALL to the readers who might empathise and find their voices here too.’

About Michael Donkor

Michael Donkor was born in London, to Ghanaian parents. He studied English at Wadham College, Oxford, and undertook a Masters in Creative Writing at Royal Holloway. His writing won him a place on the Writers’ Centre Norwich Inspires Scheme in 2014, where he received a year’s mentoring from Daniel Hahn. His first novel, HOLD, was published by 4th Estate in 2018, and was longlisted for the Dylan Thomas and shortlisted for the Desmond Elliott Prizes. Michael was also selected by Scottish Poet Laureate Jackie Kay as one of the most important British BAME writers working today. He has written for the Guardian, the Telegraph, BBC Radio 3, the TLS and the Independent.

Praise for Michael Donkor

‘Michael Donkor is a real talent.’ – Sarah Winman

‘A stirring new voice.’ – Irenosen Okojie

‘Michael Donkor is the freshest new voice in Black British literature’ – Derek Owusu

‘Donkor is a hugely skilful and fresh voice in literary fiction.’ — Anbara Salam, author of THINGS BRIGHT AND BEAUTIFUL

‘Donkor has plenty of heart as a writer, and a willingness to fully explore the hearts and minds of his characters.’ – Tanya Sweeney, Irish Independent

‘He’s a young writer in Britain to watch’ – Kerri Miller, MPR

Follow Michael on Twitter

BFLA Open Week: Resources & Resourcefulness – Some Tips for Writers

March 10, 2023 Intern BlakeFriedmann

Written by Isobel Dixon

So, you’re a writer. You’ve been putting in the hard yards, sitting at your desk/kitchen table/in bed, with your laptop/iPad/notebook and writing, WRITING, whichever way you can. In fact, you’ve written a lot – short stories, one that’s turned into a bit of a novella, a full War-and-Peace-sized novel manuscript even. Or you’ve started and abandoned books half a dozen times, but now you know that this one, this is The One That’s Not Going to Get Away. But you need help, some guidance, a boost in the right direction. Your family and friends are sick of you going on about your book, or are wondering why you keep disappearing, because you’re too shy to tell anyone that you have ambitions as a writer. What to do now?

There are many resources for writers, at many stages of their writing careers, and though I won’t go into extensive detail here, below are a few ideas and waymarkers. Some pointers, starting with your own practice and reaching out further. If you scroll down you’ll find a list with some links – not an exhaustive list and mostly a UK-focused one, but it will give you some idea of the kind of things you can look out for, wherever you are.

Already, as an observer and chronicler, you are watching and recording. Being ‘someone on whom nothing is lost’, as Henry James said. You’re alive to the world around you, noticing, and writing things down. Robert Louis Stevenson said he always carried two books at any time – one to read and one to write things in. And as a writer, you’re also going to be reading widely and closely – for pleasure as a reader, but also with an analytical eye to understand how plot , structure and narrative form work in practice. You can see a bit more about this in a piece I wrote about ‘voice’ (with some emphasis on poetry, given that I am a poet myself).

As a reader, and a writer aspiring to publication, you’ll be curious about how books are sold and received, so you’ll want to spend some time in bookshops and libraries. Whether you’re buying or borrowing, and whatever genre you are writing in, there is so much information to be absorbed there.

In your reading journey, ask questions of booksellers and librarians as to what they’ve liked and what they recommend in your chosen field. If you’re pressed for time, remember that you can listen to audiobooks via your library too. (And a note here that writers love the royalties they get from book sales, but in many countries, authors, translators, illustrators and audio narrators receive a small amount every time a library book is loaned, if they sign up to the national system, called Public Lending Right in the UK. So borrowing lots of books is good for writers too! If you’re published and haven’t registered your books for PLR yet, there’s no time like the present… And while you’re on the admin, check out the Authors’ Licensing and Collecting Society (ALCS), who also make payments to authors for registered titles, where there has been photocopying or other licensing use.)

Also ask questions as a writer – libraries and independent bookshops will have knowledge of book clubs and writers’ groups in your area too. At some stage you will need to ‘declare and share’ – acknowledging your goals as a writer, whatever your day job, and showing your work to someone else. This may be via an informal local group or a taught course, in-person or online, but it will be transformative, even as it pushes you beyond your comfort zone.

Beyond your local library, local universities may offer writing workshops – in London I started attending Michael Donaghy’s evening poetry workshop, a short course given by City University, which led me to the poetry friends I still informally workshop with, decades later.

Regional writer development organisations do invaluable work with and for writers, offering courses about the craft, information on publishing, creating networking opportunities, running festivals and prizes – so do check what there is in your region. At the agency, we’re big admirers of the National Centre for Writing in Norwich, with whom I have worked closely for years, New Writing North, Writing West Midlands, Writing East Midlands, Literature Works, Scottish Book Trust, and more. The Royal Society of Literature and the Royal Literary Fund also provide support for writers in different ways – see their websites for more.

The Arvon Foundation runs creative writing courses in Devon, Shropshire and Yorkshire. The Word Factory helps support short story writers, bringing established and emerging writers together for mentoring, helping to develop craft and contacts. They run an Apprentice Award Programme for this. Attending festivals, local author events and live literature nights like Café Writers (Norwich and online) will bring you into contact with more useful organisations and creative people! The many online and hybrid events and festivals now available provide wider access: do investigate online festival passes and what discounts are offered for students and those on low incomes.

Arts Council England, Arts Council of Ireland and Creative Scotland provide information and funding for writers and projects – see what applies to your region and what they showcase online. Literature Wales lists writers’ groups and literary societies across Wales and beyond on its site.

In London, Spread the Word also does excellent work, and Apples and Snakes supports spoken word artists. Recently, my colleagues Juliet, Sian and I enjoyed talking about agenting with the Black Girl Writers group: a free mentoring programme for Black women who write, pairing them with established authors and literary agents and hosting online workshops. Other towns and cities will have their projects too – too many to mention individually, so do your local research. Sign up to newsletters from organisations like these, and also festivals and venues that offer events and courses that could help you in your writing practice.

If you’re interested in finding out about the publishing industry in general, this year in the UK the Association of Authors’ Agents, the Publishers Association and the Booksellers’ Association joined together to create a platform called OpenBooks – an initiative designed to reach the next generation of book industry talent, through a series of free, accessible online events. Aimed primarily at 14 to 19-year-olds from underrepresented backgrounds, OpenBooks showcases a range of book-related career options across publishing, bookselling, literary agenting and beyond. Speakers on various panels help to demystify publishing career options and identify routes into the book trade. Various publishers and literary agencies run paid internship programmes, like our own Carole Blake Open Doors Project.

Carole Blake, the brilliant co-founder of the agency, also wrote an excellent book, From Pitch to Publication, about finding an agent, and the path to publication. It’s due an update on some aspects like e-books, but the core principles are timeless and valuable.

The Writers’ and Artists’ Yearbook is a practical compilation of industry advice including agent listings, author interviews, and information on editorial services. If you want to move beyond courses and workshops, don’t have an agent, and choose to pay for one-to-one editing or writer mentoring, there are many companies and individual freelancers who offer these services. The Literary Consultancy is one that is long-established and supported by the Arts Council.

The Society of Authors also hosts a number of excellent creative seminars and panel discussions around writing and publishing. Membership eligibility covers all types of writers, illustrators and literary translators at every stage of their careers – including journalists, scriptwriters, bloggers, novelists, biographers, translators, poets and games writers. The Writers’ Guild of Great Britain (WGGB) is also a trade union representing professional writers in TV, film, theatre, radio, books, comedy, poetry, animation and videogames.

Do also take a look at the various practical pieces written by Blake Friedmann colleagues over our Open Weeks! There is lots of information on submitting to agents, what agents do, and much more, and you can access these here.

Here are just a few good books on writing and creativity (much more to say on this another time!):