Photo credit: Darren Wheeler
THE BEVERLY HILLS HOUSEWIFE
Art, 272 pages
Thames & Hudson, 2026
A panoramic view of 1960s LA and Californian culture through the eyes of artist and subject: the youthful fascination of David Hockney and the knowing gaze of enigmatic socialite Betty Freeman.
In the summer of 1966, David Hockney paid a visit to a wealthy Los Angeles art collector. Her name was Betty Freeman. He had intended to paint her swimming pool, but was rapidly entranced by Freeman herself.
Hockney, soon to embark on a series of Los Angeles paintings that would become icons of their time and place, immortalized Freeman in Beverly Hills Housewife (1966–67), a sunlit vision of the collector on the terrace of her modernist home. Evoking the light and easy glamour of 1960s Los Angeles, the painting is one of the artist’s most seductive works, but it has always carried an air of mystery. Who was the woman in pink?
Like Hockney driving through the Hollywood Hills, James Cahill meanders – interweaving the artist’s discovery of Los Angeles with Freeman’s own evolution from aspiring pianist to photographer, philanthropist and collector – but never loses focus on the art. Oscillating between art history and anecdote, this is an eclectic study of an artist, his enigmatic muse and the beginning of a friendship that would shape the course of each of their lives.
THE VIOLET HOUR
Literary, 368 pages
Sceptre, 2025
Thomas Haller has achieved the kind of fame that most artists only dream of: shows in London and New York, paintings sold for a fortune. The vision he presents to the world is one of an untouchable genius at the top of his game. It is also a lie.
Who is the real Thomas Haller? His oldest friend and former dealer, Lorna, might once have known – before Thomas traded their early intimacy for international fame. Between his ruthless new dealer and a property mogul obsessed with his work, the appetite for Thomas and his art is all-consuming.
On the eve of his latest show, the luminaries of the art world gather. But the sudden death of a young man has put everyone on edge, and a chain of events begins that will lead the friends back into the past, to confront who they have become.
A story of deception, power play and longing, THE VIOLET HOUR exposes the unsettling underbelly of the art world, asking: who is granted admission to a world that only seems to glitter, what is sacrificed, and who is left outside, their faces pressed to the glass?
TIEPOLO BLUE
Literary, 341 pages
Sceptre, 2022
Cambridge, 1994. Professor Don Lamb is a revered art historian at the height of his powers, consumed by the book he is writing about the skies of the Venetian master Tiepolo. However, his academic brilliance belies a deep inexperience of life and love.
When an explosive piece of contemporary art is installed on the lawn of his college, it sets in motion Don’s abrupt departure from Cambridge to take up a role at a south London museum. There he befriends Ben, a young artist who draws him into the anarchic 1990s British art scene and the nightlife of Soho.
Over the course of one long, hot summer, Don glimpses a liberating new existence. But his epiphany is also a moment of self-reckoning, as his oldest friendship – and his own unexamined past – are revealed to him in a devastating new light. As Don’s life unravels, he suffers a fall from grace that that shatters his world into pieces.
JAMES CAHILL
Agent: Isobel Dixon
Assistant: Finlay Charlesworth
Biography: James Cahill was born in London. Over the past decade, he has worked in the art world and academia, combining writing and research with a role at a leading contemporary art gallery. He is currently a Research Fellow in Classics at King’s College London. His writing on art has appeared in publications including The Burlington Magazine, The Times Literary Supplement, the Los Angeles Review of Books, and The London Review of Books. He was the lead author and consulting editor of FLYING TOO CLOSE TO THE SUN (Phaidon, 2018), a survey of classical myth in art from antiquity to the present day. He was the co-curator of ‘The Classical Now’, an exhibition at King’s College London (March-April 2018), examining the relationships between ancient, modern and contemporary art.
James Cahill’s debut novel TIEPOLO BLUE was published by Sceptre in summer 2022 and has been shortlisted for the Authors’ Club Best First Novel Award. The Evening Standard wrote: ‘This divine debut from art critic and academic James Cahill is the smart, sexy read you need in 2022… Not only an addictive page-turner, Cahill’s book taps into the tensions and suspicions between generations that feels incredibly relevant for our testy times.’
James Cahill’s second novel, THE VIOLET HOUR, will be published by Sceptre in February 2025.
Follow James on X (previously Twitter).