Benjamin Johncock’s BURNING BLUE sold to Picador USA!

Benjamin Johncock’s incredible debut, BURNING, BLUE, has been bought at auction by Elizabeth Bruce of Picador USA, to be published in Summer 2015.

BURNING, BLUE is a stunning evocation of the life of an US astronaut, Jim Harrison, in the 1950/60s Space Race, and the excitement of being chosen to fly into space paralleled alongside terrible personal tragedy wrought upon Jim, his wife, and their marriage.

Ben’s short fiction has been published by The Junket and The Fiction Desk, and in 2012 he won an American Literary Merit Award and the National Short Story Day competition. He received a grant from Arts Council England to write BURNING, BLUE, his first novel.

Where in the World is Margie Orford!

Picture by Brooke Fasani

Picture by Brooke Fasani

When we ask Margie Orford where she’s been lately, she laughs ruefully and says, “I feel like the Johnny Cash song—I've been everywhere.” Far from an understatement, this energetic author, activist and PEN Vice President has spent the last few months in a whirlwind of events across the world.

In February, she visited Ethiopia as the South African PEN’s executive Vice President.  At Ethiopian PEN’s Conference on Freedom of Expression, she spoke on how to cultivate a human rights culture in a post-conflict society.  A vocal commentator on issues of violence against women and the challenges of post-apartheid South Africa, her article on the Oscar Pistorius case has been featured in the Guardian and the New York Times and widely quoted. 

She went on to spend March on tour in Norway, publicising the Norwegian translation of the first title in her Clare Hart crime series Daddy’s Girl, and appeared on primetime television with Belinda Bauer. See more on Margie and other female crime writers in Norway here. In an interview with Asbjørn Slettemark, she talks about South Africa’s complex society, the Clare Hart series and her favourite South African crime novels and films.

Moving from Norway to a PEN event in Glasgow in April, she took part on a panel discussing freedom of speech and modern censorship with Anne Enright. She also met with her UK and international publishers in London during the 2014 London Book Fair.

Meanwhile, across the Atlantic, Harper Witness Impulse have released Margie’s first US publication, LIKE CLOCKWORK, and other Clare Hart titles will follow in quick succession this year. She has recently been interviewed on NPR about the Pistorius trial – listen to a podcast here. Margie will be back in the UK in August to appear at the Edinburgh International Book Festival.  

 Margie Orford, who has been described as 'the Queen of South African Crime Fiction', was born in London and grew up in Namibia, the setting for BLOOD ROSE which is also optioned for film. A Fulbright Scholar, she was educated in South Africa and the United States. She is Executive Vice-President of South African PEN, the patron of Rape Crisis and of the children's book charity, the Little Hands Trust. She lives in Cape Town. 

Praise for Margie Orford and WATER MUSIC:

‘Margie Orford writes with great human insight, at times with poetic beauty, and always the ever-present deep, dark undertow of menace.’ – Peter James

'Orford plots so brilliantly that to stop reading is as harrowing as to carry on.' – Jake Kerridge, Daily Telegraph

‘Clare Hart is back, and she returns in style… the tension racks up, and up, and up… WATER MUSIC should see Orford win many, many more fans, and she’s not exactly short of them already. Read it.’ – The Big Issue

I loved the twists and turns of this book and the truly unknowable nature of the next chapter. – Lizzi Thomasson,The Bookseller

Margie Orford's WATER MUSIC is fascinated with the way cultural and political pressures affect criminal behaviour... Orford has a rare ability to get under the skin of the genre's conventions.Irish Times

Another in this excellent South African series.Literary Review

 

Follow Margie Orford on twitter

Visit Margie's website

ARCHIPELAGO shortlisted for the Orion Book Award

ARCHIPELAGO by Monique Roffey, US: Penguin

ARCHIPELAGO by Monique Roffey, US: Penguin

Monique Roffey’s acclaimed novel ARCHIPELAGO has been selected as one of four finalists in the 2014 Orion Book Awards. This award is given annually to books published in North America that address the human relationship with the natural world in a fresh, thought-provoking, and engaging manner. Other fiction finalists are Margaret Atwood, Abby Geni and Rick Bass.  

Orion Magazine will announce the winner in the second week of May. Previous shortlisters include Karen Russell, Barbara Kingsolver, Robert MacFarlane and Helon Habila and the most recent winner was APOCALYPTIC PLANET by Craig Childs. More on the award can be seen here.

ARCHIPELAGO won the 2013 OCM Bocas Prize for Caribbean Literature. Jamaican author Olive Senior, chair of the judging committee, spoke of ARCHIPELAGO as containing ‘an exploration of the greater Caribbean space in which is embedded a real-life story of trauma, loss and ultimately redemption that is both contemporary and uplifting.'

Roffey’s hauntingly beautiful novel follows the psychological and geographical journey of a man, his daughter and their dog as they flee the destruction of their home and take to ‘the green and turquoise leopard print sea.’

ARCHIPELAGO was published in the US by Penguin and in the UK by Simon and Schuster. Brazilian, Czech and Slovak, Portuguese and Norwegian rights have been sold. Roffey’s new novel HOUSE OF ASHES will be published in the UK by Simon and Schuster in July 2014.

See more about Monique Roffey here.

Praise for Monique Roffey:

‘One to place on the shelf next to Moby Dick … A masterful writer.’ – Publisher’s Weekly

‘Arresting . . . Strikingly vivid . . . ARCHIPELAGO beautifully evokes the pared-back rawness of being adrift, at the mercy of nature, first by accident and then by design.’ 
—Maria Crawford, Financial Times

‘Engrossing . . . ARCHIPELAGO washes over the reader’s imagination with the force of a tidal wave as its protagonists embark on a perilous journey along the Caribbean Sea. The novel shows what remains in the heart when we have lost what we love, and the inner resources needed to rebuild a life from its ruins.” —Anita Sethi, The Independent

ARCHIPELAGO  is lovely: a novel full of sensual, elemental description, soaked in loss and damage and softly haunted by the Caribbean’s bloody history of slavery.’ —Claire Allfree, Metro  

Catch Carole Blake at festivals around the country this spring!

Blake Friedmann founder and Pandora Award-winning Carole Blake will be appearing at a variety of literary festivals in the upcoming months.

On Sunday 27 April, she will be running an event  at Chipping Norton Literary Festival. With Jane Wenham-Jones, “Wannabe a Writer? – Pitch the Agent” takes place at The Methodist Church Hall, and tickets are available here.

On Thursday 15 May, Carole will be advising visitors of the Swindon Festival of Literature on how to get their novel published. This will be at 6:30 in the Swindon Arts Centre, and tickets are available through Swindon Theatres.

At the West Cork Literary Festival, Carole will be doing a session on Publishing Today and How To Get Published. The Festival runs from 10-13 July, and further details will be announced on their website nearer the time.

Elizabeth Chadwick and Carole Blake celebrate 25 years of working together

One of the great pleasures of being a literary agent, is that business relationships can become friendships.  Carole Blake and Elizabeth Chadwick reflect on their 25 years together.

Carole:

In 1989 the agency was much smaller than it is today.  I still opened my own mail, including the welter of manuscript submissions, which I would put aside to deal with when time permitted.  But when I took the first chapters of THE WILD HUNT out of the envelope I read them straight away.  This author had a real voice; her characters leapt off the page.  Soon I had a new client, and that client had Michael Joseph and Sphere as her UK publishers, quickly followed by publishers around the world.  My favourite sale was to Germany – they bought it sight unseen, encouraged by my enthusiasm.  The years have flown by, and we were surprised to discover, just the other day, that this month marks 25 years that we have worked together, and 24 years since THE WILD HUNT was first published  (it’s still in print!). Over the years we’ve been to churches and rock concerts together (Meat Loaf: that’s a long story!), and I still get a thrill, knowing I’m the first person to read her new manuscript.  THE SUMMER QUEEN, the first in a trilogy about Eleanor of Aquitaine, will be published in paperback in June.  Let my author and friend tell our story.

Elizabeth:

I wrote my first novel when I was fifteen years old.  It was a historical adventure romance, the result of having  fallen in love with a knight in a children’s television programme.  I wanted more than there was on screen so I began writing what today might be termed fan fiction but which quickly developed a life and energy of its own.   It was at that point I decided I wanted to write historical fiction for a living.

Back in the 70s and 80s, deciding was one thing. Having it happen in those days before the self-publishing revolution was quite another. Rejections from mainstream publishing houses followed one after the other as I wrote successive novels first on a typewriter and then an Amstrad Green screen. I worked in  a local supermarket on the twilight shift, filling shelves to earn the money to buy it, and meanwhile raised small children and got on with ordinary daily family life.

In 1988/89 I wrote THE WILD HUNT, set in the late 11th century. Perusing my Writers and Artists Year Book, I came upon the Blake Friedmann literary agency.  The blurb said that among their list of interests was commercial women’s fiction.  Being raw to the business side of things, not knowing anyone in publishing, I suspected that this was what THE WILD HUNT was, and sent it off.  I think I addressed my opening letter ‘Dear Sir,’ because I had been taught that it was the polite form of letter address at school.  Carole, upon whose desk the manuscript landed, forgave me for that and when she had read the typescript, replied with a letter that thanked me for my material saying:

“I have now had a chance to read this and I like it very much indeed…”  lots of other nice things and then “I would like to offer to represent you.”

I was thrilled to bits that I had finally got an agent after writing 8 unpublished novels, but at the time I didn’t realise quite what a force in the publishing industry Carole Blake and Blake Friedmann were and how many authors would give their eye teeth to be represented by such an agency!  

Offers from UK publishers followed thick and fast: Carole sold it at auction to Michael Joseph and Sphere.  As a hometown girl, I hadn’t been to London since I was 11, so I  had to pluck up my courage to go to meet Carole and my new editors, Maggie Pringle and Barbara Boote.   I was so nervous I had to take my husband with me!  Lunch at the Groucho club was another eye opener, but one I decided I could get used to. My editor leaned forward and said with a mischievous twinkle. ‘I adore your love scenes, they are erotic without being pornographic!’  My husband smiled, raised one eyebrow and said ‘Yes, well I’m the research assistant.’  That quip of his certainly broke the ice and became a moment to put in the career treasure-chest while the three women he’d never met before, teased him about it for the rest of the lunch.

As Carole went on to sell THE WILD HUNT round the world, I was able to resign from my Co-op shelf filling job for good.    It’s translated into 18 languages and still in print today.  So, a lasting book and a lasting relationship.  Carole has stayed with me through thick and thin, and when it’s been thin she has kept the wolf from the door with world-wide deals and sound advice.  We both have a lasting and special bond with the great medieval knightly hero William Marshal – and with each other. One of the things she taught me about life beyond the publishing world is that you can never have too many pairs of shoes!  Here’s to another twenty five years!