Charles Lambert’s THE CHILDREN’S HOME pre-empted by Scribner

Photo copyright: Patrizia Casamirra

Photo copyright: Patrizia Casamirra

Charles Lambert’s magnificent work of the literary uncanny, THE CHILDREN’S HOME, has been sold by Isobel Dixon in a pre-empt to Nan Graham and John Glynn at Scribner. Scribner has bought North American rights and will publish in late 2015.  

Morgan is a shockingly disfigured recluse who never leaves the country mansion he is heir to. His isolation is only punctuated by the presence of the housekeeper, Engel, and the weekly visits of the kindly Doctor Crane. But his solitary existence is disturbed when a young boy and girl arrive in the house, as if from nowhere. Drawn to the mysterious children, Morgan lets them stay, and with the help of Engel and Crane, begins to care for them – and others who soon follow them. As the cluster of strangely wise children explore the corridors and abandoned rooms of the house, they reveal to Morgan a cabinet of curiosities – and bitter secrets of his own life.

Charles Lambert’s latest work, WITH A ZERO AT ITS HEART, was published in the UK by The Friday Project in 2014, to wide acclaim. His short story ‘The Scent of Cinnamon’, published by ONE STORY,  was a recipient of The O. Henry Award in 2007.

 

Praise for Charles Lambert:

‘Charles Lambert writes as if his life depends on it. He takes risks at every turn.’ – Hannah Tinti

‘Charles Lambert is a seriously good writer.' – Beryl Bainbridge

 

Praise for WITH A ZERO AT ITS HEART

‘One of the finest books I’ve read this year. Its beauty lies in Lambert’s language – his skewering of a particular sentiment with a pithy phrase, his evocation of an experience in a few striking words.’ – A Life in Books Best Books of 2014’

'A striking conceit... elegantly written and carries considerable emotional clout... poetic, tender and funny' –  Guardian

‘With 24 themed chapters and 10 numbered paragraphs, and each paragraph consisting of exactly 120 words, Lambert pieces together the sum of a life using gorgeous pen-portraits. An unusual and wonderful book to dip into.’ – Viv Groskop, Red Magazine