Shani Akilah shortlisted for the Writers’ & Artists’ Short Story Competition 2023

Shani Akilah’s story ‘A Short Trip to Tesco’ has been shortlisted for the Writers’ & Artists’ Short Story Competition 2023 after previously making the longlist.

Shani’s story was one of eight selected from a longlist of sixteen titles and over 850 entries to this year’s competition, themed around ‘Writing Love’. The shortlist was chosen by writer Naomi Booth.

Speaking about judging the competition, Naomi Booth said ‘It was a delight to read these short stories about love—in part because of their commitment to the surprising, the various, the ephemeral, and the difficult to articulate. There were brilliant stories in this longlist that focussed on the sharp and tender pain of lost loves; on the wordless dislocation of maternal love; on new friendships and the rush of fresh beginnings.’

‘A Short Trip to Tesco’ will appear in Shani’s upcoming debut short story collection.

About Shani Akilah

Shani Akilah is a 28 year-old Black-British writer from South London of Caribbean heritage (Guyana, Barbados and Jamaica). She is an avid reader and book blogger and was spotlighted as a ‘Key Black Influencer’ by DoubleDay Books.

 Shani is passionate about community and bringing people together and is the co-founder of Nyah Network, a book club for black women and is also the founder of contributor based platform, Bankra, that explored the navigated identities of black millennials.

 Shani loves travelling, and has spent significant time in Ghana as part of her studies. Shani has a Masters degree in African Studies from Oxford University with research exploring counter-diasporic return and issues of home and belonging amongst second-generation British-Ghanaians.

 Follow Shani on Twitter.

Follow Shani on Instagram.

‘A Short Trip to Tesco’ by Shani Akilah Longlisted for the Writers’ & Artists’ Short Story Competition 2023

Congratulations to Shani Akilah, whose story ‘A Short Trip to Tesco’ has been longlisted for the  Writers’ & Artists’ Short Story Competition 2023.

Shani’s story was one of sixteen selected from over 850 entries to this year’s competition, themed around ‘Writing Love’. The announcement of the shortlist and winner, picked by writer Naomi Booth (EXIT MANAGEMENT, SEALED), will be made on the Writers’ & Artists’ website by the end of April. The winner will receive a place on an Arvon Foundation Writing Retreat.

‘A Short Trip to Tesco’ will appear in Shani’s upcoming debut short story collection.

Picture: Jonathan Osibo

About Shani Akilah

 Shani Akilah is a 28 year-old Black-British writer from South London of Caribbean heritage (Guyana, Barbados and Jamaica). She is an avid reader and book blogger and was spotlighted as a ‘Key Black Influencer’ by DoubleDay Books.

 Shani is passionate about community and bringing people together and is the co-founder of Nyah Network, a book club for black women and is also the founder of contributor based platform, Bankra, that explored the navigated identities of black millennials.

 Shani loves travelling, and has spent significant time in Ghana as part of her studies. Shani has a Masters degree in African Studies from Oxford University with research exploring counter-diasporic return and issues of home and belonging amongst second-generation British-Ghanaians.

 Follow Shani on Twitter.
Follow Shani on Instagram.

TIEPOLO BLUE by James Cahill on Authors’ Club Best First Novel Award longlist

We are delighted that TIEPOLO BLUE by James Cahill has been longlisted for the Authors’ Club Best First Novel Award.

The Authors’ Club Best First Novel Award was established in 1954, making it the longest-running UK prize for debut fiction and, except for the James Tait Black and the Hawthornden, the oldest literary prize in Britain. Past winners include Gail Honeyman, Jackie Kay and the late Gilbert Adair, also a Blake Friedmann client.

The other titles on this year’s longlist are: TO FILL A YELLOW HOUSE by Sussie Anie, THE DICTATOR’S WIFE by Freya Berry, MY NAME IS YIP by Paddy Crewe, EDGWARE ROAD by Yasmin Cordery-Khan, LITTLE BOXES by Cecilia Knapp, WHEN WE WERE BIRDS by Ayanna Lloyd Banwo, BLACK BUTTERFLIES by Priscilla Morris, I’M A FAN by Sheena Patel, MOONLIGHT AND THE PEARLER’S DAUGHTER by Lizzie Pook, THE WHALEBONE THEATRE by Joanna Quinn and NO COUNTRY FOR GIRLS by Emma Styles.

Lucy Popescu, the chair of the judging panel, said: ‘We are delighted to announce our longlist of 12 debut novelists tackling a fascinating diversity of subjects. These compelling novels explore art and privilege, war, loss, blackmail and theft as well as love, desire, obsession and the pursuit of power. We visit several UK locations and are transported to the American frontier, Australia, Trinidad, Eastern Europe and the siege of Sarajevo.’

The shortlist for this year’s prize will be announced on 20 March, with the winner being revealed at the National Liberal Club on 24 May.

TIEPOLO BLUE follows the unravelling of revered art historian Donald Lamb. Freed from the constraints of academia, it looks like the anarchic contemporary art scene of 1990s London might be his salvation, but he soon suffers an earth-shattering fall from grace that leaves him questioning everyone and everything.

TIEPOLO BLUE was published in hardback by Sceptre in June 2022 to great acclaim. It attracted widespread praise, including from Patrick Gale and Stephen Fry (the latter describing it as ‘The best novel I have read for ages’), and was also included in the BBC’s and Times Literary Supplement’s ‘Best of 2022’ lists. It will be published in paperback on 27 April 2023.

James is currently writing his second novel, THE VIOLET HOUR, which will be published in hardback by Sceptre in Summer 2024. Set in New York, London and Switzerland, the novel reveals the secret history of a reclusive artist, a monomaniacal collector, and the art dealer caught between them.

Praise for TIEPOLO BLUE

‘The spirit of E.M. Forster is alive and well in James Cahill. The same palpating of damaged moral tissue, the same psychological canniness, the same gently invoked erudition, the same exactitude and eloquence – except Cahill is able to explore forbidden themes that Forster feared to touch on except posthumously’ – Edmund White

‘The best novel I have read for ages. My heart was constantly in my throat as I read… There is so much to enjoy, to contemplate, to wonder at, and to be lost in.’ – Stephen Fry

‘Imagine if Hollinghurst and Murdoch collaborated on a witty update of DEATH IN VENICE and you'll see the appeal of James Cahill's assured debut.’ – Patrick Gale

‘The last debut novel I read that had this much talent buzzing around inside it was Alan Hollinghurst’s THE SWIMMING-POOL LIBRARY.’ – Robert Douglas-Fairhurst

‘Beautifully captures disorientation, tenderness and heat without tipping into excess…an electric new novel written by an author skilled in the evocation of vertiginous, heightened emotion.’ – Michael Donkor, The Guardian, ‘Book of the Day’

‘The plot is propulsive, though the crafted ambience of unease simultaneously destabilizes the reader at every turn. The prose is fluid and precise but the tone equivocal, bathos merging into pathos, tragedy into farce and back again… Oscar Wilde’s paradoxes – about the relationship between art and life, illusion and reality, true and false selves – lie half submerged throughout this bravura debut, but so does the vulnerability of Thomas Mann’s Gustav von Aschenbach… It is the moments when rawness and confusion burst to the surface that prevent this witty yet unnerving book from being too clever.’ – Lucasta Miller, Times Literary Supplement

About James Cahill

Picture Credit: Darren Wheeler

James Cahill was born in London. Over the past decade, he has worked in the art world and academia, combining writing and research with a role at a leading contemporary art gallery.

His writing on art has appeared in publications including The Burlington Magazine, The Times Literary Supplement, The Los Angeles Review of Books, and The London Review of Books. He was the lead author and consulting editor of FLYING TOO CLOSE TO THE SUN (Phaidon, 2018), a survey of classical myth in art from antiquity to the present day. He was the co-curator of ‘The Classical Now’, an exhibition at King’s College London (March-April 2018), examining the relationships between ancient, modern and contemporary art.

He is currently a Research Fellow in Classics at King’s College London.

Follow James on Twitter and Instagram