EDWARD CAREY’S LITTLE SHORTLISTED FOR THE AMERICAN LIBRARY IN PARIS 2019 BOOK AWARD

LITTLE by Edward Carey - PB cover.jpg

Edward Carey’s novel LITTLE, published by Gallic Books in October 2018, has been shortlisted for the American Library in Paris 2019 Book Award. The award, now in its seventh year, recognises the most distinguished books of the year, in English, about France. In this cycle, eighty-two titles were submitted by authors, publishers, and others for consideration. The winner will be announced at a ceremony on 7 November 2019 at the George C. Marshall Centre on Place de la Concorde in Paris. See more on the award here.

From the gutters of pre-revolutionary France to the luxury of the Palace of Versailles, from casting the still-warm heads of The Terror to finding something very like love, LITTLE is the unforgettable story of how a ‘bloodstained crumb of a girl’ went on to shape the world.

Born in Alsace in 1761, the unsightly, diminutive Marie Grosholtz is quickly nicknamed ‘Little’. Orphaned at the age of six, she finds employment in Bern, Switzerland, under the charge of reclusive anatomist, Dr Curtius. In time the unlikely pair form an unlikely bond, and together they pursue an unusual passion: the fine art of wax-modelling. 

Forced to flee their city, the doctor and his protégée head for the seamy streets of Paris where they open an exhibition hall for their uncanny creations. Though revolution approaches, the curious-minded flock to see the wax heads, eager to scrutinise the faces of royalty and reprobates alike. At 'The Cabinet of Doctor Curtius', heads are made, heads are displayed, and a future is built from wax.

LITTLE has also been shortlisted for the 2019 Chautauqua Prize and the Amazon Publishing Readers’ Award for Best Independent Voice 2019, with the winner to be announced at the Capital Crime Festival in September. Carey’s novel was also longlisted for the Walter Scott Prize for Historical Fiction, the Rathbones Folio Prize, the Royal Society of Literature Ondaatje Prize, and the Historical Writers’ Association Gold Crown 2019.

Born in England, Edward Carey is a novelist, visual artist and playwright who teaches Creative Writing at the University of Austin, Texas. He was awarded the prestigious Italian Fernanda Pivano Prize in 2016. His novel LITTLE has been internationally acclaimed, with film rights optioned and rights sold in 16 countries. Picador will be re-issuing his classic early novels OBSERVATORY MANSIONS and ALVA & IRVA in the UK.

Visit Edward Carey's Website here.

Follow Edward on Twitter here. 

Praise for Edward Carey

‘If this were music, Carey would be Eric Satie. If it were film, he would be Tim Burton.’ - Newsday

‘Edward Carey is an enormously talented writer…’ — Publishers Weekly

‘Edward Carey is one of the strangest writers we are privileged to have in this country. There are echoes in his work of other great idiosyncratics from Angela Carter to Russell Hoban, but he supersedes even them in the downright oddity of his mind.’ — Observer

Praise for LITTLE

‘Don’t miss this eccentric charmer’ — @MargaretAtwood

'I marvel at the achievement of this book... I loved this book best when it showed me, with its stylised dialogue, its garrotting commas, its punctuating illustrations, history as an art form, history as an argument... LITTLE isn't about history... it's about humans, and bodies, and art, and loneliness, and it's deeply, painfully sad. I could talk about it forever.' – NPR Books

'Told with extraordinary panache, and illustrated by Edward Carey, this tale of the founder of Madame Tussauds is a macabre joy.' — The Times, Books of the Year

'You will weep, you will applaud, you will wonder if your nerves can take it... Guts'n'gore galore: I bloody loved it... in Carey's subtle, modelling hands, Paris is gay and gloomy, debauched and deathly, fabulous and fearful. Marie is the eyes, ears and hold-your-nose of this book, a delightful guide to a mad, macabre world.' - Spectator

'A gripping novel of shy wit and darkly humorous occurrences, mesmerising in its virtuosity. On top of which the author's own illustrations are wonderfully bizarre, as indeed is the story he tells.' — William Ryan, Irish Independent (Author Top Books of 2018)

 

 

 

Charles Lambert’s PRODIGAL longlisted for the Polari Prize 2019

PRODIGAL by Charles Lambert UK cover.jpg

Charles Lambert’s novel PRODIGAL, published by Gallic Books in August 2018, has been longlisted for the Polari Prize 2019. The prize honours writers “whose work explores the LGBT experience, whether in poetry, prose, fiction, or nonfiction”. While there has previously been a Polari First Book Prize, this year is the first time that there will be an award given to an established writer also. The shortlist will be announced at a special Polari Salon at the Southbank Centre on 26 July and the winner announced in October during the London Literature Festival.

PRODIGAL is a fearless, elegantly written exploration of family, trust, death, and what we do to one another in the name of love, told within the wider context of a beautiful yet troubling, queer coming-of-age tale.

Jeremy, a hapless man in his late 50s, scrapes together a living in Paris by writing soft-core pornography under the saucy guise of ‘Nathalie Cray’. When his all-but-estranged sister tells him their father is on his deathbed, Jeremy reluctantly travels back to his parental home in the depths of the English countryside.

Confronted with a life that he had always been eager to escape, his return marks the start of an emotionally fraught journey into the family’s chequered past. The journey takes him back to the unexpected death of his mother in a provincial Greek hospital years earlier and, further back, to the moment at which the Eldritch family fell apart.

It’s a journey composed of revelations, of secrets disclosed and not disclosed, and of something that might, or might not, be reconciliation...

Last year Charles’s novel THE CHILDREN’S HOME was included in a New York Times list of 13 Haunted Books to read before watching THE HAUNTING OF HILL HOUSE.

Born in England, Charles lives in Fondi, near Rome, working as a university teacher and freelance editor. His first novel, LITTLE MONSTERS, a Good Housekeeping selection, was published in 2008 by Picador, the same year as THE SCENT OF CINNAMON AND OTHER STORIES (Salt Publishing), the title story of which was an O. Henry Prize winner. His second novel, ANY HUMAN FACE (Picador), was described by the Telegraph as 'a slow-burning, beautifully written crime story that brings to life the Rome that tourists don't see - luckily for them.'

In 2014, Charles’s experimental autobiography WITH A ZERO AT ITS HEART (The Friday Project) was one of the Guardian's top ten books of that year. THE CHILDREN’S HOME, a dystopic story of a haunted house, was published in 2016 to widespread praise, followed by TWO DARK TALES, in 2017, both by Gallic Books.


Praise for Charles Lambert

‘Charles Lambert writes as if his life depends on it. He takes risks at every turn.’ – Hannah Tinti

‘Charles Lambert is a seriously good writer.' – Dame Beryl Bainbridge

‘Compelling reading.’ – Patricia Duncker

‘Charles Lambert is a terrific, devious storyteller.’ – Owen King


Praise for THE CHILDREN’S HOME

‘A thoroughly original entry into the tradition of ghost stories, eschewing convention …compulsively readable…A one-of-a-kind literary horror story.’ – Kirkus Reviews, Starred Review

‘Lambert carefully constructs the restricted sphere that Fletcher inhabits, leaving the chaotic larger world and the source of his family fortune largely a mystery. After slowly unfolding Fletcher’s story, Lambert then accelerates the pace to a breathtaking climax. THE CHILDREN’S HOME is a magical, mesmerizing tale about the courage it takes to confront the unknown.’ – Booklist, Starred Review

‘THE CHILDREN’S HOME is like a strange dream in which you can’t quite tell if you’re awake…The resulting story is a weird, poignant journey reminiscent of Calvino that explores fear, power, revenge and redemption. Lambert’s story is addictive … its potent, often brutal, images have a lasting power.’ – Sheri Bodoh, BookPage


Visit Charles’ blog

You can also follow Charles on Twitter.