29 Ways NOT To Submit To An Agent by Carole Blake

This post originally appeared on Lucy Hay's Bang2Write blog and continues to be once of her most visited pages! Here's what Lucy says: 

Many thanks to Carole Blake from the Blake Friedmann Literary Agency for providing a VERY comprehensive list on how NOT to submit to an agent. This is a fab list and  I have actually had a number 27 myself!! Maybe it was the same lady? 

1. No gimmicks. Don’t send food, flowers – or anything else. Food goes straight into the bin … just in case. I’ve read lots of crime fiction.

I once received a large parcel that weighed almost nothing. Inside was a rubbish bin and a letter saying the writer assumed the submission would end up there so was sending me one to speed up the process. The partial for a crime novel that was attached looked rather good. I left the bin, letter & ms on my desk. Next morning our office cleaner had removed the contents and put the rubbish bin neatly next to my desk. There was no way to contact the author despite a story on our website and some tweets … That was the end of that.

2. Your own cover design. They almost always look very amateur. A publisher will produce a professional design that takes account of the current market. Even thinking that they might take your design marks you out as amateur.

3. Any kind of jokey letter making fun of the publishing business – I bet this won’t get read etc. In the cold morning light of a busy office – not funny. See no 1.

4. Don’t trash other authors – they might be my clients

5. Don’t send a first draft. Let it sit for some weeks after finishing. Then read & revise. Better to do that before you get a rejection.

6. Don’t keep sending further corrected versions. Revise first & let it sit before submitting.

7. Don’t send again once rejected, unless I’ve invited you to.

8. Don’t send in overly elaborate packaging. I am thinking of a full manuscript, in a lever arch file (duh!) wrapped first in plastic film, then in 2 layers of corrugated cardboard, then brown paper sellotaped around the ENTIRE package. Then in more brown paper. By the time my office had fought our way in to it I hated it already. See no 24.

9. Don’t mark it “private & confidential”. It’s not: it’s a business transaction. I don’t want to come back from a trip abroad to find an unopened unsolicited manuscript on my desk.

10. Don’t make spelling mistakes in the covering email or letter. Or the ms. And don’t rely on spellchecker: read it all the way through several times. See 5 and 6 above.

11. Don’t write the covering letter or email in the voice of one of your characters. I recently received a letter written in the voice of a gorilla. It’s annoying.

12.Don’t send 3 mss with one submission, all in different genres – it shows you’re not thinking about the market and how it works.

13. Don’t have a silly email address. I recently had a submission from someone whose email address was ‘blahblah’. And don’t share an email address with your spouse. This is business correspondence: you need to look professional. Your own email address costs nothing.

14. Don’t say you’re sending your ‘fiction novel’. If you don’t know how to use language, you shouldn’t be writing a book.

15. Don’t write to me abusively after I’ve rejected your ms. Publishing is a small world. And bad manners won’t make me want to work with you. See attached, from an author complaining that we won’t take his work which is in a genre our website makes it clear we don’t work with.

16. Don’t say you’ve read my book from cover to cover and then proceed to offer me a manuscript in a genre I’ve clearly stated I don’t work with.

17. Don’t send your ms in a fancy font, difficult to read. Keep it simple.

18. Don’t email with a peculiar colour background. Keep it simple.

19. Don’t openly email 50 agents at once (I’ve had them!), with all the email addresses shown. At least try to pretend you’ve selected me because you think we would make a perfect team.

20. Don’t tell me you’ve been recommended by a friend of mine and then mention someone I’ve never heard of.

21. Don’t compare your own writing to literary greats: it will only provoke me to disagree. Modesty is more attractive, and allows me to form my own opinion.

22. Don’t plead for individual feedback once I’ve rejected your ms. I received 1000s of submissions a year: there just isn’t time. And I do have to spend some time working for the authors I do actually represent.

23. Don’t tell me your family and friends love your ms. They love you: they are biased.

24. Don’t send me a paper ms. Not any more. See no 25.

25. This perhaps ought to be No 1: do NOT submit to me until you have checked out our agency website and read the submission guidelines. Do NOT. Just do NOT. It’s in your own interest.

26. Do NOT pitch your novel to me at breakfast during a writers festival. If I have to explain why, you may not have read the previous 25 points properly

27. Do NOT slip your synopsis under the door of the ladies loo I am occupying. It happened. Once. I suspect that woman will never do it again.

28. If we are chatting at a cocktail party and you have pitched me your novel, and I say, ‘I can’t take in verbal pitches, I need to read storylines, but please do send it to me.’ do not – under any circumstances – tell me the story all over again. And then do the same thing at the next 3 parties we both attend. This happened to me. I will never knowingly occupy the same room as that novelist ever again.

29. Do NOT submit to me on Facebook or Twitter. Chat, yes. Become friends perhaps: but social media is social. It’s not for stalking or submitting. I block people for doing that.

Why 29? Because if I don’t stop there I might go on forever, instancing all the time-wasting submissions I’ve seen over the years. But – you know what? I still get a tingle when I open new submissions … there is sometimes gold in those emailed submissions mountains!

Edward Carey’s FOULSHAM out today from Hot Key

The wait is over. FOULSHAM, the second book in Edward Carey’s much-praised IREMONGER trilogy, is out from Hot Key today in the UK. It is published in a beautiful hardback complete with illustrations by Edward himself.

Foulsham, London's great filth repository, is bursting at the seams. In the Iremonger family offices, Grandfather Umbitt Iremonger broods: in his misery and fury at the people of London, he has found a way of making everyday objects assume human shape, and turning real people into objects. Abandoned in the depths of the Heaps, Lucy Pennant has been rescued by a terrifying creature, Binadit Iremonger – more animal than human. She is desperate and determined to find Clod. But unbeknownst to her, Clod has become a golden sovereign, being passed as currency from hand to hand all around Foulsham. Everywhere people are searching for him, desperate to get hold of this dangerous Iremonger, who, it is believed, has the power to bring the mighty Umbitt down. But all around the city, things, everyday things, are twitching into life...

The Iremongers are taking over the Hot Key tumblr this week in celebration – visit to see illustrations by Edward Carey and more!

Be sure to visit Waterstones’ flagship store in Piccadilly for an exclusive chance to see Edward Carey’s illustrations on the chalk board and their brand new illustrators’ gallery.

There will also be two chances for fans to catch Edward Carey at Edinburgh Book Festival this year. He will be talking about creating characters with Nathan Filer and Matthew Quick, and will also be doing a children’s event to tell young readers all about Clod.

Clod last appeared in HEAP HOUSE, published by Hot Key last summer. It was recommended on the Booktrust Christmas Gifts for Children List 2013 and listed by The Sunday Times as one of the Top Children’s Books of 2013. Booker Prize winner Eleanor Catton called it ‘delightful, eccentric, heartfelt, surprising, philosophical’ and her ‘favourite novel for children published this year’. The paperback is currently available.

Rights to HEAP HOUSE have been sold in 9 territories. It was published by Harper Collins in Canada in March and recently selected by the Toronto Star in their round-up of summer reads for kids:

'For Gothic unease, try Edward Carey's IREMONGER Book 1: HEAP HOUSE a story of mildew and mould that despite its rubbish heap setting, sparkles with ghoulish interest and Gorey-esque drawings.' - Deidre Baker, The Toronto Star.

Overlook publish HEAP HOUSE in the US in October.

Novelist, visual artist and playwright Edward Carey is the author of two acclaimed novels, published in many countries around the world. OBSERVATORY MANSIONS was shortlisted for the Borders Discover New Writers Award and ALVA AND IRVA was longlisted for the 2005 IMPAC Literary Award. Both were accompanied by artworks by the author.

Follow Edward on Twitter

Visit the Iremongers on Edward’s website

Praise for HEAP HOUSE:

‘Edward Carey's HEAP HOUSE-- delightful, eccentric, heartfelt, surprising, philosophical, everything that a novel for children should be.’ – Eleanor Catton, author of THE LUMINARIES

‘IREMONGER torques and tempers our memories of Dickensian London into a singularly jaunty and creepy tale of agreeable misfits. Read it by gas lamp, with a glass of absinthe at your wrist and a fireplace poker by your knee. ’    -- Gregory Maguire, author of WICKED

'I cannot recommend HEAP HOUSE by Edward Carey enough. The best book of its kind since GORMENGHAST (& more exciting)' – Gregory Norminton

‘Fabulously strange and in the tradition of Mervyn Peake... Astonishing and inventive, it calls out to be read.' – Sunday Times Best Children’s Books of 2013 

A scorching AFRICAN SKY out from Quercus now

Tony Park’s World War II thriller AFRICAN SKY is out in paperback from Quercus, released on 31 July.

AFRICAN SKY is a page-turning aventure set in Rhodesia, 1943: Squadron Leader Paul Bryant has been unable to fly a plane ever since a fatal bombing mission over Germany. Relegated to a desk job training new recruits, his life is lacklustre until one of his trainees is found raped and murdered. Pip Lovejoy, a local volunteer policewoman, has her own tragedies to forget; when she hears about the murder, however, she joins forces with Paul to investigate. Their mutual attraction intensifies as the case becomes more complicated, and the involvement of controversial heiress Catherine de Beers threatens to ruin everything.

Upcoming4.me wrote ‘AFRICAN SKY has everything from hair-raising flying action to espionage, backstabbing, sex and love but scratch the surface and you'll discover hidden depth and well-developed characters.’

Australian writer Tony Park fell in love with South Africa on a short trip in 1995 and he and his wife now divide their time between Sydney and their home in the African bush near Kruger Park. He is author of many bestselling action-packed adventure thrillers for Macmillan Australia and Quercus in the UK. His newest book THE HUNTER will be published in October 2014 by Macmillan Australia and Quercus in South Africa.

Praise for TONY PARK:

'An author who is starting to challenge the veteran Wilbur Smith for the title of 'master of the African thriller'' -- Geoffrey Wansell, Daily Mail

'Tony Park is one of Australia's best thriller writers and his African-based novels are consistently entertaining and thought-provoking.' -- Canberra Times

'Park's heroes are tough, blokey types - soldiers and coppers - and his heroines sassy and smart, but Africa always steals the show…a great way to spend a winter evening, transported to somewhere warm and exotic.' -- Georgia Gowing, The Independent Weekly

 

Deon Meyer’s COBRA out today

Benny Griessel is back! Deon Meyer’s latest novel COBRA is published in the UK today by Hodder and is also being launched in English in South Africa by Jonathan Ball, with a very busy author tour. Audiobook fans can order the Audible edition now too.

Why would a mathematics professor from Cambridge University, renting a holiday home outside Cape Town, require a false identity and three bodyguards? And where is he, now that they are dead? The only clue to the bodyguards' murder is the snake engraved on the shell casings of the bullets that killed them. Investigating the massacre, Benny Griessel and his team find themselves being drawn into an international conspiracy with shocking implications…

Read the first chapter of COBRA here.

Glimpse the world of COBRA here, in stunning photographs.

Hear Deon Meyer introduce you to his hero Benny Griessel here.

You can read what his editor Nick Sayers has to say about the novels, and test your Afrikaans, here.

COBRA was chosen by Publisher’s Weekly as one of the Top Ten Mystery and Thriller for Fall and ‘Thriller of the Week’ on the very popular Dutch thriller & crime fiction community Crimezone.nl. In his home territory South Africa, COBRA (published in Afrikaans by Human & Rousseau as KOBRA) shot to Number 1 on Afrikaans publication last year, knocking Wilbur Smith off the top spot and beating off all international competition in English as well. 

10 international publishers have signed up to COBRA with new deals regularly signed for ‘The best crime writer on the planet’ across the globe. COBRA will be published in France and Germany this October, and Deon will tour in both countries.

Mike Ripley from Shotsmag has nothing but praise for COBRA:

‘A masterful new thriller.  This is terrific stuff:  fine plotting, superb characterisation, a constant thread of suspense, a multi-ethnic cast and an intriguing setting. It also comes with a glossary of South African terms and if COBRA doesn’t win at least one major prize this year, then someone needs a good snotskoot blikseming.’

Deon Meyer will be on BBC Radio 4’s Front Row today at 19:15 GMT to talk about the novel, so make sure you tune in.

Visit Deon's website here.

Follow Deon on Twitter.

Praise for Deon Meyer:

‘A master on vintage form… He is a defining novelist of modern South Africa.’ – Barry Forshaw, Books of the Year 2012, Independent

‘Deon Meyer is one of the best crime writers on the planet.’ – Mail on Sunday

 'With Deon Meyer you can't go wrong. He's a writer whose work I admire, wait for and then devour.' -- Michael Connelly