Joseph O’Connor’s THE THRILL OF IT ALL will be next week’s Book at Bedtime on BBC Radio 4

THE THRILL OF IT ALL is next weeks Book at Bedtime on BBC Radio 4. ‘The Ships’ will be hitting the airwaves at 22:45 on Monday 25th August. Book at Bedtime will then broadcast the rest of the novel at 22:45 every evening on Radio 4 for the following fortnight. For more information, see the BBC’s website here:

http://www.bbc.co.uk/programmes/b04f9lmn 

THE THRILL OF IT ALL narrates the life-cycle of a band, The Ships, from a first friendship between two students at Luton College in the early 1980s, to their rise on the global stage and beyond. In essence, it’s the tale of four people trapped in the dysfunctional family of a band by the whirlpool of their addiction to music. 

In Radio 4’s production, Robbie Goulding the prime mover of the group will be played by Philip Glenister. Ramon Tikaram takes the role of Fran, the band’s brilliantly verbal, sexually protean lead singer. Sister and brother, Trez and Sean, round out the quartet as cellist and drummer and will be voiced by Natasha Little and Shaun Dingwall respectively. Finally, Robbie’s daughter Molly will be played by Jennifer Armour.

Joe’s novels have won prizes including the American Library Association Award, the Irish Poet Award for Fiction, and the Prix Millepages. In 2012 Joe won the Irish PEN Award for outstanding achievement in literature. 

THE THRILL OF IT ALL was nominated for the Bollinger Everyman Wodehouse prize. It is out now in paperback from Harvill Secker. 

Lizzie Bates: ‘I was going to have to grow the balls to write my own show’

Originally published on 4 Aug 2014 by Edinburgh Festivals on Wow247.co.uk. Click here to see the original post.

Comedian Lizzie Bates on the nerves of a first Fringe performance solo…

Lizzie Bates

After seven Edinburgh Fringe festivals nestled safely within the bosom of my sketch group, The Boom Jennies, it was time to go it alone.

The prospect of bringing up a solo show was exciting and nauseating in equal measure. If the other two Boom Jennies hadn’t already committed to doing it, would I have? Who knows, but the thought of the pair of them panicking together on the train up, and then sharing a celebratory haggis after their first day of shows was too much for me. I was going to have to grow the balls to write my own show and that was that.

Adjusting to life as a solo performer has been a funny old business. In the absence of my comedy cohorts, I’ve found myself seeking artistic reassurance and emotional solace from the first person I lock eyes on after each show. Inevitably that’s my long-suffering techie and now involuntary life coach, Simeon.

He’s always trying to bring it back to the lighting and the sound, no matter how much I tell him this is about me. After one particularly tricky preview, when I was recovering from a throat infection, I genuinely found myself weeping in the face of the theatre manager: a middle-aged man I had not met until moments before the show. Need I say, this was an awkward evening for both of us.

Some habits are hard to shake. Before the Boom Jennies’ shows, we shared some pretty memorable adrenaline-fueled moments backstage: teasing each other, jumping up and down, attempting to control our flatulence. Now I find myself talking to myself (‘Come on Lizzie, knock their Scottish socks off!’) and failing to control my own flatulence. And this time round, there is no one else to blame those dressing room smells on.

Sometimes it seems baffling that it’s only me on stage. (What? It’s my line next again?!) But the wonderful thing is that it forces you to really engage with your audience. I have started creating conversations between them and me, mostly so I don’t have to listen to my own voice for an hour. (What? I’m doing this for a whole hour?)

Marketing decisions are all my own, the money has to come from my (rapidly diminishing) bank account and at times I have found myself drowning under a sea of admin which used to be split three ways.

But the highs are also all my own. When I can feel the audience going with it – when a joke that I’ve written works – it’s the most amazing feeling in the world. I’ve created a show that I’m immensely proud off. I’ve booked an Edinburgh venue and a train ticket all on my own. It’s time to start seeing that nervous backstage flatulence for what it really is – the wind of triumph.

Lizzie Bates: Reprobates, Until 25 Aug, Pleasance Courtyard, more info.

KNIGHTLEY & SON: K-9 out today from Bloomsbury

K-9 UK final cover.jpg

KNIGHTLEY & SON: K-9 by Rohan Gavin, the much anticipated sequel to KNIGHTLEY & SON, is out today in the UK from Bloomsbury.

Darkus Knightley, tweed-wearing, mega-brained, thoroughly logical 13-year-old investigator of the weird, was just getting used to having his dad back in his life. Then Alan Knightley went off-radar, again, leaving Darkus with a traumatised ex-bomb-disposal dog as his only partner in crime-solving. Now things are getting even stranger. Family pets are being savaged by a beast at a top London beauty spot. Policemen have been tracked and attacked by a particularly aggressive canine. And two curiously alert hounds seem to be watching Darkus’s house. No one is using the word werewolf – yet – but as the full moon approaches, it doesn’t take Sherlock Holmes to work out that someone or something sinister is messing with the minds of London’s dog population. A mysterious canine conspiracy is howling for the attention of Knightley & Son…

K-9 has already been chosen as one of Sunday Express Summer Picks for Older Children 2014, and KNIGHTLEY & SON was a Sunday Times Pick of the Week, a Guardian Best Kids’ Book, who called it “full of intrigue, suspense and humour ... a modern day classic detective mystery” and a Daily Mail Summer Book Choice, who wrote “the tweed-loving Doc is a young Holmes for our times”

There’s a great chance to get involved with some sleuthing yourself on swapit.co.uk who are hosting a KNIGHTLEY & SON treasure hunt from 13 August.

On 18 August, Rohan will be appearing at Edinburgh Book Festival, running a workshop on one of his favourite books, and inspiration for K-9, THE HOUND OF THE BASKERVILLES.

Be sure to look out for copies of KNIGHTLEY & SON: K-9 on the London Underground as part of the Books on the Underground campaign from 11 August.

Rohan Gavin is a screenwriter and author based in London. He is the son of award-winning children's author Jamila Gavin, and recently became a father himself. KNIGHTLEY & SON: K-9 is published in the US in February 2015, and Rohan will be touring in the US next year. Rights have been sold to Gallimard in France.

See here for Knightley & Son profiles and case files…

Follow Rohan Gavin on Twitter

Some praise for KNIGHTLEY & SON:

'A rousing page-turner with one fault: It ends.' - Kirkus starred review

‘An engaging, characterful debut’ – Nicolette Jones, Sunday Times Pick of the Week

'This book surpasses all expectations... Any fan of Sherlock Holmes will find this book very appealing ... full of suspense, mystery and some very clever detective skills.' – Mr Ripley's Enchanted Books

'Just too good... a fun adventure story that the whole family should read... I hope there are more adventures to come' – Girl-who-reads.com

'In Darkus Knightley, author Rohan Gavin has created a protagonist that readers will grow to love... clever, action-packed and humorous adventures' – bookzone4boys

‘His first novel, owes much to the world of film – especially the non-stop, tongue-in-cheek movies that are aimed at a family audience – Indiana Jones and most recently, Sherlock. …  Action is high on the agenda … Aimed firmly at an audience who are steeped in Tintin and who have enjoyed The Diamond Brothers, this is a lively romp which will certainly please young readers.’ –Booksforkeeps

29 Ways NOT To Submit To An Agent by Carole Blake

This post originally appeared on Lucy Hay's Bang2Write blog and continues to be once of her most visited pages! Here's what Lucy says: 

Many thanks to Carole Blake from the Blake Friedmann Literary Agency for providing a VERY comprehensive list on how NOT to submit to an agent. This is a fab list and  I have actually had a number 27 myself!! Maybe it was the same lady? 

1. No gimmicks. Don’t send food, flowers – or anything else. Food goes straight into the bin … just in case. I’ve read lots of crime fiction.

I once received a large parcel that weighed almost nothing. Inside was a rubbish bin and a letter saying the writer assumed the submission would end up there so was sending me one to speed up the process. The partial for a crime novel that was attached looked rather good. I left the bin, letter & ms on my desk. Next morning our office cleaner had removed the contents and put the rubbish bin neatly next to my desk. There was no way to contact the author despite a story on our website and some tweets … That was the end of that.

2. Your own cover design. They almost always look very amateur. A publisher will produce a professional design that takes account of the current market. Even thinking that they might take your design marks you out as amateur.

3. Any kind of jokey letter making fun of the publishing business – I bet this won’t get read etc. In the cold morning light of a busy office – not funny. See no 1.

4. Don’t trash other authors – they might be my clients

5. Don’t send a first draft. Let it sit for some weeks after finishing. Then read & revise. Better to do that before you get a rejection.

6. Don’t keep sending further corrected versions. Revise first & let it sit before submitting.

7. Don’t send again once rejected, unless I’ve invited you to.

8. Don’t send in overly elaborate packaging. I am thinking of a full manuscript, in a lever arch file (duh!) wrapped first in plastic film, then in 2 layers of corrugated cardboard, then brown paper sellotaped around the ENTIRE package. Then in more brown paper. By the time my office had fought our way in to it I hated it already. See no 24.

9. Don’t mark it “private & confidential”. It’s not: it’s a business transaction. I don’t want to come back from a trip abroad to find an unopened unsolicited manuscript on my desk.

10. Don’t make spelling mistakes in the covering email or letter. Or the ms. And don’t rely on spellchecker: read it all the way through several times. See 5 and 6 above.

11. Don’t write the covering letter or email in the voice of one of your characters. I recently received a letter written in the voice of a gorilla. It’s annoying.

12.Don’t send 3 mss with one submission, all in different genres – it shows you’re not thinking about the market and how it works.

13. Don’t have a silly email address. I recently had a submission from someone whose email address was ‘blahblah’. And don’t share an email address with your spouse. This is business correspondence: you need to look professional. Your own email address costs nothing.

14. Don’t say you’re sending your ‘fiction novel’. If you don’t know how to use language, you shouldn’t be writing a book.

15. Don’t write to me abusively after I’ve rejected your ms. Publishing is a small world. And bad manners won’t make me want to work with you. See attached, from an author complaining that we won’t take his work which is in a genre our website makes it clear we don’t work with.

16. Don’t say you’ve read my book from cover to cover and then proceed to offer me a manuscript in a genre I’ve clearly stated I don’t work with.

17. Don’t send your ms in a fancy font, difficult to read. Keep it simple.

18. Don’t email with a peculiar colour background. Keep it simple.

19. Don’t openly email 50 agents at once (I’ve had them!), with all the email addresses shown. At least try to pretend you’ve selected me because you think we would make a perfect team.

20. Don’t tell me you’ve been recommended by a friend of mine and then mention someone I’ve never heard of.

21. Don’t compare your own writing to literary greats: it will only provoke me to disagree. Modesty is more attractive, and allows me to form my own opinion.

22. Don’t plead for individual feedback once I’ve rejected your ms. I received 1000s of submissions a year: there just isn’t time. And I do have to spend some time working for the authors I do actually represent.

23. Don’t tell me your family and friends love your ms. They love you: they are biased.

24. Don’t send me a paper ms. Not any more. See no 25.

25. This perhaps ought to be No 1: do NOT submit to me until you have checked out our agency website and read the submission guidelines. Do NOT. Just do NOT. It’s in your own interest.

26. Do NOT pitch your novel to me at breakfast during a writers festival. If I have to explain why, you may not have read the previous 25 points properly

27. Do NOT slip your synopsis under the door of the ladies loo I am occupying. It happened. Once. I suspect that woman will never do it again.

28. If we are chatting at a cocktail party and you have pitched me your novel, and I say, ‘I can’t take in verbal pitches, I need to read storylines, but please do send it to me.’ do not – under any circumstances – tell me the story all over again. And then do the same thing at the next 3 parties we both attend. This happened to me. I will never knowingly occupy the same room as that novelist ever again.

29. Do NOT submit to me on Facebook or Twitter. Chat, yes. Become friends perhaps: but social media is social. It’s not for stalking or submitting. I block people for doing that.

Why 29? Because if I don’t stop there I might go on forever, instancing all the time-wasting submissions I’ve seen over the years. But – you know what? I still get a tingle when I open new submissions … there is sometimes gold in those emailed submissions mountains!