FOUR BLAKE FRIEDMANN AUTHORS LONGLISTED FOR SUNDAY TIMES PRIZE IN SOUTH AFRICA

We are delighted to announce that four of our authors have been longlisted for the Sunday Times Prize in South Africa.

WEEPING WATERS by Karin Brynard (translated by Isobel Dixon and Maya Fowler), A SPORTFUL MALICE by Michiel Heyns and RACHEL’S BLUE by Zakes Mda are on the longlist for The Sunday Times Barry Ronge Fiction Prize, formerly the Sunday Times Fiction Prize. Now in its fifteenth year, this prize is awarded annually to a novel that is of ‘rare imagination and style, evocative, textured and a tale so compelling as to become an enduring landmark of contemporary fiction.’

In the non-fiction category, DIVIDED LIVES by Lyndall Gordon has been longlisted for the Sunday Times Alan Paton Non-Fiction Prize. This award, now in its twenty-sixth year, is awarded to non-fiction with ‘compassion, elegance of writing, and intellectual and moral integrity.’

Previous Blake Friedmann winners of these prizes include Ivan Vladislavić (who has won both the fiction and non-fiction prizes for PORTRAIT WITH KEYS and THE RESTLESS SUPERMARKET), Marlene van Niekerk for AGAAT (translated by Michiel Heyns), Zakes Mda (HEART OF REDNESS) and Hugh Lewin for STONES AGAINST THE MIRROR.

The shortlists are usually announced at the Franschhoek Literary Festival. For more information on both prizes, check out:

Marlene Van Niekerk shortlisted for Man Booker International Prize

Credit: Lien Botha

Credit: Lien Botha

Marlene Van Niekerk has been shortlisted for the Man Booker International Prize. She is one of ten writers to be chosen for the £60,000 award which recognises one writer for his or her achievement in fiction. The authors come from ten different countries, and including Amitav Ghosh, Mia Couto, Ibrahim al-Koni and Fanny Howe. The overall winner will be announced at the Victoria and Albert Museum in London on 19 May.

The Man Booker International Prize is awarded every two years to a living author who has published fiction either originally in English or whose work is generally available in translation in the English language. The judging panel consists of writer and academic, Professor Marina Warner (Chair); novelist Nadeem Aslam; novelist, critic and Professor of World Literature in English at Oxford University, Elleke Boehmer; Editorial Director of the New York Review Classics series, Edwin Frank, and Professor of Arabic and Comparative Literature at SOAS, University of London, Wen-chin Ouyang. The winner is chosen solely at the discretion of the judging panel; there are no submissions from publishers.  Lydia Davis won the prize in 2013, Philip Roth in 2011, Alice Munro in 2009, Chinua Achebe in 2007 and Ismail Kadaré won the inaugural prize in 2005.  In addition, there is a separate award for translation and, if applicable, the winner may choose a translator of his or her work into English to receive a prize of £15,000.

The judges describe Marlene as “the author of two immense masterpieces, TRIOMF and AGAAT, which chart in evocative, sometimes disturbing detail the aches and aggravations of political transition in South Africa for those who saw themselves as on the losing side, in particular impoverished Afrikaners. Van Niekerk’s vision is ambitious, uncompromising and irrefutable. The bold experimentalism of her Afrikaans takes the reader deep inside the contortions of the apartheid psyche and asks whether some historical hurts and hatreds can ever be entirely erased.” Read more on the Man Booker website.

Marlene Van Niekerk was awarded South Africa’s high honour, the Order of Ikhamanga, in 2011 for her “outstanding intellectual contribution to literary arts and culture field through poetry, literature and philosophical works”. Her debut novel TRIOMF (Little Brown, 1994) was a New York Times Notable Book, 2004, winner of C.N.A Literary Award, M-Net Prize and prestigious Noma Award for the Best Book in Africa. The film adaptation won the Best South African Film Award at Durban International Film Festival, 2008.

Her novel AGAAT received the following accolades in its Afrikaans and English editions:

- Shortlisted for the Independent Foreign Fiction Prize, 2008.
- Winner of the South African Sunday Times Literary Prize 2007 and the Hertzog Prize 2007, SA.
- University of Johannesburg Prize, M-Net Award, W.A. Hofmeyr Award, all 2005.
- Shortlisted Booksellers' Choice Award South Africa 2005 and the M-Net Literary Prize 2007.
- #1 on Swedish Bestsellers List for five weeks in 2012.
- Chosen as Book of the Month by Good Housekeeping.
-Shortlisted for Three Percent's Best Translated Book Award, sponsored by Amazon.com, 2011.
- Longlisted for the Independent Booksellers Choice Award 2011
- Listed in Publisher Weekly’s Top 100 Best Books of 2010 and picked as one of Booklist Editor’s Choice List for 2010. 

Marlene van Niekerk is also the author of the short story collections, DIE VROU WAT HAAR VERKYKER VERGEET HET  and DIE SNEEUSLAPER and the novella MEMORANDUM, as well as the poetry collections SPROKKELSTER, GROENSTAAR and KAAR.  You can read some of her poetry in English on Poetry International here. 

Praise for AGAAT:

'I was immediately mesmerized by Ms. van Niekerk's novel. Its beauty matches its depth and her achievement is as brilliant as it is haunting.' -- Toni Morrison

'Van Niekerk follows the widely lauded TRIOMF with a dark, innovative epic that trudges through the depths of a South African farmwife's soul...Clearly an allegory for race relations in South Africa, the novel succeeds on numerous other grounds: a rich evocation of family dynamics; a chilling portrait of bodily and mental decay; and a successful experiment in combining diaries, the second-person, and stream of consciousness. Van Niekerk marshals it all to evoke the resigned mind of a dying woman who realizes, too late, the horrible mistakes that have made her life a waste.' -- Publishers Weekly starred review

'This novel stuns with its powerful sense of the rigors of farm life, desolation of a failing marriage, and comfort of a long and complex relationship.' -- Vanessa Bush, Booklist starred

Praise for TRIOMF:

‘A tempestuous, heartbreaking, exhilarating read.’ -- Elisabeth Vincentelli, Time Out New York

‘A distinguished new voice from South Africa writes about a white working class Afrikaner family with a shameful secret…A remarkably evocative portrayal of the usually ignored white underclass: the best post-apartheid novel yet.’  -- Kirkus

Michael A Walker's episode of CRITICAL airs tonight at 9pm on Sky 1

Groundbreaking medical series CRITICAL debuted on Sky 1 last month, and tonight's episode (Tues 7th April 2015) was written by Michael A. Walker. The series was created by Jed Mercurio (LINE OF DUTY, BODIES, CARDIAC ARREST) and has been hailed as one of the most realistic medical dramas ever made.

Each episode follows one patient's story in the trauma centre, presented in real-time during the hour immediately following their admission. This hour is acknowledged among medical staff as the 'golden hour', a vital time where the trauma team's actions and decisions can determine whether a critically ill patient lives or dies.

In this week's episode, a Mexican woman is brought in after a car crash, but unable to speak English and extremely agitated, she lashes out at anyone and everyone around her. The medics do their best, but it is only when they give her a CTU scan that they realise why she is so upset.

The series stars Lennie James, Neve McIntosh, Claire Skinner and Kimberley Nixon. Click here to find out more.

THE BIRD’S CHILD PUBLISHED BY HARPERCOLLINS AUSTRALIA TODAY

Sandra Leigh Price’s magical novel THE BIRD’S CHILD, described by the Sydney Morning Herald as 'a debut to watch', is published today by HarperCollins Australia.

THE BIRD’S CHILD, set in Sydney in 1929, follows Ari, Lily and Billy as their stories unfold at Miss Du Maurier’s bohemian boarding house. It is a beautiful love story and a compelling mystery of belonging, an enchanting read.

Sandra Leigh Price lives in Sydney. She graduated from the Australian National University, Canberra, with a Double Major in English Literature and Drama, and co-established a small theatre company before moving to Sydney to pursue a career as an actor, then turning to writing. Wet Ink magazine published an early chapter of THE BIRD’S CHILD.

Australian booksellers have responded imaginatively to the novel's themes. Here's the display from Better Read Books.

Praise for THE BIRD’S CHILD:

‘A shimmering dream of haunted pasts. A silver girl. Abandoned boys. All the magic of the stage. THE BIRD’S CHILD is a delight.’ – Essie Fox, author of THE GODDESS AND THE THIEF

NINEVEH and GREEN LION: Prizes, Praise & a Surprising Cover

Henrietta Rose-Innes has won the François Sommer Literary Prize for her novel NINEVEH, which was published in France last year by Editions Zoe.

The prize is awarded to novels and literary works published in French that explore the relationship between humans and nature and support “the values of humanistic ecology”. It is worth €15,000. You can see some lovely photos of Henrietta collecting her prize and signing books below:

Prix F.Sommer (credit Stephane Laure) 090 PREFERRED.jpg

NINEVEH was first published in South Africa by Umuzi in 2011. When Humane Pest Relocation Expert KD is hired to cleanse the vermin-invested Nineveh walled estate, her boundaries begin to crumble. Swamp water sweeps into Nineveh just as KD's past returns to her. The novel was Shortlisted for Sunday Times Fiction Prize 2012 and the M-Net Prize 2012. Mexican rights have just been acquired by Almadia.

Henrietta’s latest novel, GREEN LION, is published in May by Umuzi in South Africa, who recently revealed their stunning cover, alongside an interview with its designer. You can read more about GREEN LION in this interview with Henrietta, who describes the novel as ‘an exploration of human relationships with the natural world, even more explicitly so than Nineveh. At the heart of the book is the figure of a black-maned lion, one of vanished sub-species that used to be common in the Cape. It’s a book about extinctions, and loss, and the impossibility of bringing things back from oblivion; and also about the mythic importance of animals in human lives.’

Praise for GREEN LION:

‘In GREEN LION Henrietta Rose-Innes has written another extraordinary novel, lyrical, deftly plotted, and as full of life as the Ark. In the Cape Town of her imagination, a place both utterly strange and eerily familiar, wildness is always pressing up against the fence. The ‘animal’, she suggests, is not just out there but in here, shaping what we do and say, embedded in language itself like a stubborn gene.’ – Ivan Vladislavić

‘GREEN LION sees humanity’s longing for the wildness of animals as a desire for what remains most alien in our rational selves. Catching the animal heart in all of us, Rose-Innes imagines a world where ferocity itself is pushed to the brink of extinction. Poignant and unsentimental, this is an urgent story of quiet, lurking terror.' – Patrick Flanery

Praise for NINEVEH:

‘A gripping allegory … executed with wit, panache, and precision.’ – Neel Mukherjee

‘A passionate homage to place and a sensuous exploration of metamorphosis.’ – BooksLIVE