TIEPOLO BLUE By James Cahill shortlisted for Authors’ Club Best First Novel Award

Picture: Authors’ Club

TIEPOLO BLUE, James Cahill’s electric debut, has advanced to the shortlist for the Authors’ Club Best First Novel Award.

The Authors’ Club Best First Novel Award was established in 1954, making it the longest-running UK prize for debut fiction and, overall, the third oldest literary prize in Britain. Past winners include Gail Honeyman, Jackie Kay and the late Gilbert Adair, also a Blake Friedmann client. This year’s winner will be revealed at dinner on 24 May, to be held at the National Liberal Club.

Also shortlisted alongside James are: THE DICTATOR’S WIFE by Freya Berry, MY NAME IS YIP by Paddy Crewe, WHEN WE WERE BIRDS by Ayanna Lloyd Banwo, BLACK BUTTERFLIES by Priscilla Morris, and THE WHALEBONE THEATRE by Joanna Quinn.

Lucy Popescu, the chair of the judging panel, said: ‘We are proud to recommend six exceptional debuts. These dazzling novelists cover a range of subjects from art and privilege, love and loss, knowledge and selfhood, the pursuit of power and the devastating consequences of war. We travel with them through eastern Europe to the American Frontier, from England’s past to Trinidad today.’

TIEPOLO BLUE follows the unravelling of revered art historian Donald Lamb. Freed from the constraints of academia, it looks like the anarchic contemporary art scene of 1990s London might be his salvation, but he soon suffers an earth-shattering fall from grace that leaves him questioning everyone and everything.

TIEPOLO BLUE was published in hardback by Sceptre in June 2022 to great acclaim. It attracted widespread praise, including from Patrick Gale and Stephen Fry (the latter describing it as ‘The best novel I have read for ages’), and was also included in the BBC’s and Times Literary Supplement’s ‘Best of 2022’ lists. It will be published in paperback on 27 April 2023.

James is currently writing his second novel, THE VIOLET HOUR, a sweeping psychological drama and satire of the international art world, which will be published in hardback by Sceptre in summer 2024.

Praise for TIEPOLO BLUE

‘Startlingly impressive . . . a heavily perfumed, sexually tender, psychologically acute novel’ – Claire Allfree, Daily Mail

‘The story of Tiepolo Blue and its people have invaded my dreams . . . Don’s disintegration is painful to read, but it all grips you like a thriller. My heart was constantly in my throat as I read… There is so much to enjoy, to contemplate, to wonder at, and to be lost in’ – Stephen Fry

‘Not only an addictive pageturner, Cahill’s book taps into the tensions and suspicions between generations that feel incredibly relevant for our testy times’ – Jessie Thompson, Evening Standard

‘The spirit of E. M. Forster is alive and well in James Cahill. The same palpating of damaged moral tissue, the same psychological canniness, the same gently invoked erudition, the same exactitude and eloquence’ – Edmund White

‘The plot is propulsive, though the crafted ambience of unease simultaneously destabilizes the reader at every turn . . . It’s a measure of Cahill’s sleight of hand that he manages to inject his plot with such page-turning momentum’ – Lucasta Miller, TLS

‘Tells a gripping tale of the worlds of traditional academia and art history pitted against those of contemporary art, each failing horribly to understand the other. As a result, all becomes infused with satirical comedy and ghastly tragedy’ – Norman Rosenthal

‘I just devoured Tiepolo Blue, I could not put it down. The longing, the beauty, the detail, the complexity, the art, the intellect and the emotion . . . What a triumph!’ – Paul Kindersley

‘Interrogating beauty and meaning in art, Tiepolo Blue rewards rereading . . . a stylish tale of love and long-game revenge’ – Rebecca Swirsky, Royal Academy Magazine

‘Dizzying and exciting and unsettling, and beautifully told’ – Reverend Richard Coles, ‘Big Writers on Their Best Reads of 2022’, Daily Mail

‘This is a novel full of suspense and surprise. It made me laugh and brought back memories of a time in my own life. I missed the characters as soon as I’d finished’ – Sarah Lucas

‘The musings of the book’s protagonist on the radical power of art to act as a catalyst for personal change make it an exhilarating, erudite read’ – Liam Hess, Vogue.com

‘I travelled on the exquisite vessel of James Cahill’s prose, unable to disembark. The journey is sensual, treacherous and elegiac. The final landing, breathtaking’ – Maggi Hambling

‘[An] arresting debut novel . . . a masterly attention to detail and an irresistibly propulsive, almost swaggering style’ – Michael Delgado, Literary Review

‘Wow. It is magnificent. Simply magnificent . . . Tiepolo Blue really has blown me away: the gorgeous phrase-making; the sure-footed pacing; the (re-)immersion in a world I know, or knew, in a way that is both hard-edged with historical detail and almost hallucinatory’ – Robert Douglas-Fairhurst

About James Cahill 

Picture: Darren Wheeler

James Cahill was born in London. Over the past decade, he has worked in the art world and academia, combining writing and research with a role at a leading contemporary art gallery.

His writing on art has appeared in publications including The Burlington Magazine, The Times Literary Supplement, The Los Angeles Review of Books, and The London Review of Books. He was the lead author and consulting editor of FLYING TOO CLOSE TO THE SUN (Phaidon, 2018), a survey of classical myth in art from antiquity to the present day. He was the co-curator of ‘The Classical Now’, an exhibition at King’s College London (March-April 2018), examining the relationships between ancient, modern and contemporary art. He is completing his second novel THE VIOLET HOUR (Sceptre, 2024).

He is currently a Research Fellow in Classics at King’s College London.

Follow James on Twitter and Instagram 

TIEPOLO BLUE by James Cahill on Authors’ Club Best First Novel Award longlist

We are delighted that TIEPOLO BLUE by James Cahill has been longlisted for the Authors’ Club Best First Novel Award.

The Authors’ Club Best First Novel Award was established in 1954, making it the longest-running UK prize for debut fiction and, except for the James Tait Black and the Hawthornden, the oldest literary prize in Britain. Past winners include Gail Honeyman, Jackie Kay and the late Gilbert Adair, also a Blake Friedmann client.

The other titles on this year’s longlist are: TO FILL A YELLOW HOUSE by Sussie Anie, THE DICTATOR’S WIFE by Freya Berry, MY NAME IS YIP by Paddy Crewe, EDGWARE ROAD by Yasmin Cordery-Khan, LITTLE BOXES by Cecilia Knapp, WHEN WE WERE BIRDS by Ayanna Lloyd Banwo, BLACK BUTTERFLIES by Priscilla Morris, I’M A FAN by Sheena Patel, MOONLIGHT AND THE PEARLER’S DAUGHTER by Lizzie Pook, THE WHALEBONE THEATRE by Joanna Quinn and NO COUNTRY FOR GIRLS by Emma Styles.

Lucy Popescu, the chair of the judging panel, said: ‘We are delighted to announce our longlist of 12 debut novelists tackling a fascinating diversity of subjects. These compelling novels explore art and privilege, war, loss, blackmail and theft as well as love, desire, obsession and the pursuit of power. We visit several UK locations and are transported to the American frontier, Australia, Trinidad, Eastern Europe and the siege of Sarajevo.’

The shortlist for this year’s prize will be announced on 20 March, with the winner being revealed at the National Liberal Club on 24 May.

TIEPOLO BLUE follows the unravelling of revered art historian Donald Lamb. Freed from the constraints of academia, it looks like the anarchic contemporary art scene of 1990s London might be his salvation, but he soon suffers an earth-shattering fall from grace that leaves him questioning everyone and everything.

TIEPOLO BLUE was published in hardback by Sceptre in June 2022 to great acclaim. It attracted widespread praise, including from Patrick Gale and Stephen Fry (the latter describing it as ‘The best novel I have read for ages’), and was also included in the BBC’s and Times Literary Supplement’s ‘Best of 2022’ lists. It will be published in paperback on 27 April 2023.

James is currently writing his second novel, THE VIOLET HOUR, which will be published in hardback by Sceptre in Summer 2024. Set in New York, London and Switzerland, the novel reveals the secret history of a reclusive artist, a monomaniacal collector, and the art dealer caught between them.

Praise for TIEPOLO BLUE

‘The spirit of E.M. Forster is alive and well in James Cahill. The same palpating of damaged moral tissue, the same psychological canniness, the same gently invoked erudition, the same exactitude and eloquence – except Cahill is able to explore forbidden themes that Forster feared to touch on except posthumously’ – Edmund White

‘The best novel I have read for ages. My heart was constantly in my throat as I read… There is so much to enjoy, to contemplate, to wonder at, and to be lost in.’ – Stephen Fry

‘Imagine if Hollinghurst and Murdoch collaborated on a witty update of DEATH IN VENICE and you'll see the appeal of James Cahill's assured debut.’ – Patrick Gale

‘The last debut novel I read that had this much talent buzzing around inside it was Alan Hollinghurst’s THE SWIMMING-POOL LIBRARY.’ – Robert Douglas-Fairhurst

‘Beautifully captures disorientation, tenderness and heat without tipping into excess…an electric new novel written by an author skilled in the evocation of vertiginous, heightened emotion.’ – Michael Donkor, The Guardian, ‘Book of the Day’

‘The plot is propulsive, though the crafted ambience of unease simultaneously destabilizes the reader at every turn. The prose is fluid and precise but the tone equivocal, bathos merging into pathos, tragedy into farce and back again… Oscar Wilde’s paradoxes – about the relationship between art and life, illusion and reality, true and false selves – lie half submerged throughout this bravura debut, but so does the vulnerability of Thomas Mann’s Gustav von Aschenbach… It is the moments when rawness and confusion burst to the surface that prevent this witty yet unnerving book from being too clever.’ – Lucasta Miller, Times Literary Supplement

About James Cahill

Picture Credit: Darren Wheeler

James Cahill was born in London. Over the past decade, he has worked in the art world and academia, combining writing and research with a role at a leading contemporary art gallery.

His writing on art has appeared in publications including The Burlington Magazine, The Times Literary Supplement, The Los Angeles Review of Books, and The London Review of Books. He was the lead author and consulting editor of FLYING TOO CLOSE TO THE SUN (Phaidon, 2018), a survey of classical myth in art from antiquity to the present day. He was the co-curator of ‘The Classical Now’, an exhibition at King’s College London (March-April 2018), examining the relationships between ancient, modern and contemporary art.

He is currently a Research Fellow in Classics at King’s College London.

Follow James on Twitter and Instagram 

Sceptre acquires James Cahill's second novel

We are delighted to announce that Juliet Brooke, Associate Publisher at Sceptre Books,  has acquired UK and Commonwealth (exc. Canada) rights for James Cahill’s second novel, THE VIOLET HOUR,  from Samuel Hodder at Blake Friedmann.

A sweeping psychological drama and razor-sharp satire of the international art world, THE VIOLET HOUR is a gripping and insightful glimpse into a maelstrom of glittering parties, titanic reputations and fatal rivalries.

A young man falls to his death from a tower block in London. Gradually, this apparently random tragedy is shown to be entwined with the lives, desires and regrets of the novel’s three protagonists as they grapple with their pasts and presents – and the ruthlessness of the international art world.

Assured, intelligent, laced with notes of violence and eroticism, THE VIOLET HOUR is a perfect follow up to TIEPOLO BLUE (which publishes today, 9 June 2022), a debut novel that already garnered praise and admiration from readers and reviewers alike. Like TIEPOLO BLUE, THE VIOLET HOUR  weaves sophisticated ideas about expression, authenticity and performance into an exquisitely written story you cannot put down.

James Cahill said: ‘I’m hugely excited to be publishing my second novel with Sceptre. THE VIOLET HOUR is a portrait of the contemporary art world – a world I’ve existed in for many years – but it’s also a story of loss, longing and redemption. I can’t wait for it to come to life as a book, and I’m looking forward to working again with Juliet Brooke, Charlotte Humphery and the whole team at Sceptre.’

Charlotte Humphery, senior commissioning editor at Sceptre, who is working with Brooke’s authors while Brooke is on parental leave, said: ‘TIEPOLO BLUE is a remarkable debut – confident, beautiful and thrilling to read – and we’re so excited to be publishing it this month. THE VIOLET HOUR confirms James Cahill as a vital voice in literary fiction – we’re thrilled to invest in his work. And I know that his new and future fans will love this gorgeous, sophisticated new novel.’

Sceptre will publish THE VIOLET HOUR in Spring 2024.

Praise for TIEPOLO BLUE:

‘The spirit of E.M. Forster is alive and well in James Cahill.  The same palpating of damaged moral tissue, the same psychological canniness, the same gently invoked erudition, the same exactitude and eloquence – except Cahill is able to explore forbidden themes that Forster feared to touch on except posthumously’ – Edmund White

‘This is the best novel I have read for ages. It is so beautifully written, not a false note in any sentence… it’s just masterly… My heart was constantly in my throat as I read… [There is] so much to enjoy, to contemplate, to wonder at, and to be lost in.’ – Stephen Fry

‘Imagine if Hollinghurst and Murdoch collaborated on a witty update of DEATH IN VENICE and you’ll see the appeal of James Cahill’s assured debut.’ – Patrick Gale

‘Sensual, treacherous and elegiac.’ – Maggi Hambling

‘[An] arresting debut novel… [the prose] has a masterly attention to (especially visual) detail and in an irresistibly propulsive, almost swaggering style…there are moments here and there that would make even Hollinghurst blush….’ – Literary Review

‘This divine debut from art critic and academic James Cahill is the smart, sexy read you need in 2022.’ – Evening Standard

About James Cahill:

James Cahill was born in London. Over the past decade, he has worked in the art world and academia, combining writing and research with a role at a leading contemporary art gallery. He is currently a Research Fellow in Classics at King’s College London. His writing on art has appeared in publications including The Burlington Magazine, The Times Literary Supplement, the Los Angeles Review of Books, and The London Review of Books. He was the lead author and consulting editor of FLYING TOO CLOSE TO THE SUN (Phaidon, 2018), a survey of classical myth in art from antiquity to the present day. He was the co-curator of ‘The Classical Now’, an exhibition at King’s College London (March-April 2018), examining the relationships between ancient, modern and contemporary art.

Follow James on Twitter and Instagram.