Image: Recorded Picture Company
We are delighted to announce that THE DREAMERS – the 2003 film adapted by the late Gilbert Adair from his own novel, and directed by Academy Award-winning Bernardo Bertolucci (THE LAST EMPEROR, LAST TANGO IN PARIS) – has been restored in sparkling 4K quality, and will receive its UK premiere next month at the BFI Southbank.
Tickets to the premiere on 27 February are available now on the BFI website (18:10, BFI Southbank). The screening will be followed by a Q&A with Bernardo and Gilbert’s collaborator, Recorded Pictures Company producer Jeremy Thomas. The film will also be re-released on 4K Ultra-HD Blu-Ray on 22 April 2024, and is available to pre-order now.
THE DREAMERS is an evocative, sensual and disarmingly nostalgic portrait of three young cinema lovers caught up in the political turmoil of 1968 Paris. Originally published as THE HOLY INNOCENTS in 1988, Gilbert simultaneously reworked the material for both the film script and a new version of the novel, retitled THE DREAMERS, which was published in the UK by Faber & Faber. The film, starring Eva Green (CASINO ROYALE), Louis Garrel (LITTLE WOMEN) and Michael Pitt (BOARDWALK EMPIRE) first premiered at the Venice Film Festival in 2003, winning rave reviews from the likes of Roger Ebert, Philip French and Peter Bradshaw.
THE DREAMERS was restored in 4K by Cinetica Bologna in collaboration with Recorded Picture Company, the production company behind the film. The technical work was done by L’Immagine Ritrovata laboratory from the original negatives, and had its world premiere as part of Il Cinema Ritrovato festival in July 2023, in Bologna’s Piazza Maggiore. The screening was introduced by producer Jeremy Thomas, with Academy Award-nominated director Luca Guadagnino (CALL ME BY YOUR NAME), and actress Marisa Paredes (LIFE IS BEAUTIFUL).
THE DREAMERS is set in Paris, Spring of 1968: the city is beginning to emerge from hibernation and an obscure spirit of social and political renewal is in the air. Yet Théo, his twin sister Isabelle and Matthew, an American student they have befriended, think only of immersing themselves in another, addictive form of hibernation: moviegoing at the Cinémathèque Française. Night after night, they take their place beside their fellow cinephiles in the very front row of the stalls and feast insatiably off the images that flicker across the vast white screen.
Denied their nightly 'fix' when the French government suddenly orders the Cinémathèque's closure, Théo, Isabelle and Matthew gradually withdraw into a hermetically sealed universe of their own creation, an airless universe of obsessive private games, ordeals, humiliations and sexual jousting which finds them shedding their clothes and their inhibitions with equal abandon. A vertiginous free fall interrupted only, and tragically, when the real world outside their shuttered apartment succeeds at last in encroaching on their delirium.
Image: Lin Leong
About Gilbert Adair
A cultural observer, journalist, broadcaster, critic, translator, screenwriter and award-winning novelist, Gilbert Adair wrote regular columns for The Sunday Times, Esquire, and Independent on Sunday. He died in 2011.
His books have been published on both sides of the Atlantic and translated into twenty languages. Amongst his finest achievements were his novels THE DREAMERS, which Gilbert adapted himself for the ‘extraordinarily beautiful’ (Roger Ebert) 2003 film directed by Bernardo Bertolucci, and LOVE AND DEATH ON LONG ISLAND (adapted for the screen by Richard Kwietnieowski in 1997, with John Hurt playing the leading role) as well as his translation of Georges Perec’s LA DISPARATION, published in English under the title A VOID and achieved, like the original text, without use of the letter ‘e’.
Praise for the film THE DREAMERS
‘Director Bernardo Bertolucci has simply given us his best picture for many years, working from an elegant, urbane screenplay by Gilbert Adair… Watching this film is like drinking a bottle of good red wine, all at once, on an empty stomach. Not good for you, but wickedly pleasurable all the same.’ – Peter Bradshaw, The Guardian
‘An evocative reminiscence of an era when cinema and politics could count for as much as carnal passion.’ – Time Out
‘A brilliant critic, pasticheur and aphorist, Adair is one of those Scots who have bypassed English metropolitan culture and have become very much at home in the French literary and intellectual tradition… Adair has now adapted his novel for the screen as THE DREAMERS, and as his novel is about politics, transgressive sex and the cinema itself, he has found a perfect collaborator in Bernardo Bertolucci… an amusing, sophisticated movie, true to its times, cheerfully erotic, and played with unselfconscious conviction by its three young actors.’ – Philip French, The Observer
‘Disarmingly sweet and completely enchanting.’ – A. O. Scott, The New York Times
‘A masterpiece’ – The Telegraph
‘Sexy and Provocative.’ – Dazed and Confused
‘He writes … as if he were making a thousand angels dance on the head of a pin.’ – Kevin Jackson, Independent on Sunday
